Wearable art in Fashion Draping (An innovative design vision inspired by the COVID 19 pandemic)
Ibrahim, A., Ali, A. (2021). Wearable art in Fashion Draping (An innovative design vision inspired by the COVID 19 pandemic). EKB Journal Management System, 11(2), 79-87. doi: 10.21608/idj.2021.151964
Abeer Ibrahim Abdelhamid Ibrahim; Amjad Jamil Abdullah Ali. "Wearable art in Fashion Draping (An innovative design vision inspired by the COVID 19 pandemic)". EKB Journal Management System, 11, 2, 2021, 79-87. doi: 10.21608/idj.2021.151964
Ibrahim, A., Ali, A. (2021). 'Wearable art in Fashion Draping (An innovative design vision inspired by the COVID 19 pandemic)', EKB Journal Management System, 11(2), pp. 79-87. doi: 10.21608/idj.2021.151964
Ibrahim, A., Ali, A. Wearable art in Fashion Draping (An innovative design vision inspired by the COVID 19 pandemic). EKB Journal Management System, 2021; 11(2): 79-87. doi: 10.21608/idj.2021.151964

Wearable art in Fashion Draping (An innovative design vision inspired by the COVID 19 pandemic)

International Design Journal
Article 5, Volume 11, Issue 2 - Serial Number 39, March and April 2021, Page 79-87  XML PDF (673.7 K)
Document Type: Original Article
DOI: 10.21608/idj.2021.151964
View on SCiNiTO View on SCiNiTO
Authors
Abeer Ibrahim Abdelhamid Ibrahim1; Amjad Jamil Abdullah Ali2
1Professor, Department of Fashion and Textile - College of Human Sciences and Design, King Abdulaziz University, Jeddah, KSA.
2PhD. Program Scholar, Department of Fashion and Textile - College of Human Sciences and Design, King Abdulaziz University, KSA Lecturer at Taibah University, KSA
Abstract
Wearable art is considered as the visualization of a unique artistic product that can be produced by a fashion designer. The method of work entails that the designer writes a story inspired by wearable art, based on a starting point and keywords, then design and implement the costume. Innovative thinking is one of the most important roles in designing Fashion as innovation is necessary for access to creativity in order to have draped fashion of authenticity that has never been reached before, where the designer's thought, emotion, cultural and formalistic knowledge can be transformed into an innovative and stereoscopic product using fabric or any other materials. The Coronavirus (COVID-19) recently emerged is seen as threatening epidemic spreading across the world . So, with its emergence, it is noted that "face masks" or "muzzles" has become the common keyword . Therefore, it was deemed by the researcher to deal with masks as formative material through which a design in the draping style could be created. The research problem was as follows: What is the potential of making use of paper masks in preparing an innovative, wearable artistic design in the draping style? And to what extent can the aesthetic, artistic and functional design be achieved from the specialists' point of view? The research aims to take advantage of medical masks in preparing an innovative artistic wearable design in the style of draping, so that the innovative and artistic value can be reached through that design with the method of draping. The importance of the research is attributable to demonstrating the impact of the COVID-19 pandemic on the designers' and researcher's method of design thinking, and then highlighting new prospects and ideas for inspiration in draping, as well as achieving new artistic dimensions in the field of wearable art. This research adopted the semi-experimental approach for its suitability to achieve the objectives of the research. Through the arbitrators' response to the items of the questionnaire on the design, and the research hypothesis stating that there are statistically significant differences between the averages of the specialists' opinions to achieve the aesthetic, artistic and functional aspects in the proposed design. The results demonstrated the achievement of the research objectives in employing the aesthetic, artistic and functional aspects, and had an approval rate of 95%, which is a High positive percentage that indicates the achievement of the aesthetic aspect. As for the functional and artistic aspects, their approval rate reached 82.5%, which is a high positive rate indicating their achievement. After calculating the general average ratios for the aesthetic, functional and artistic axes, it becomes clear that the design had a rate of 86.66%, which is a high percentage showing the success of the design. This success may be due to the emergence of the inspiration aspect of the Corona pandemic, along with the compatibility of materials and their colors with each other, in addition to the design's achievement of authenticity and contemporary at the same time.
Keywords
Draping; Wearable art; COVID19; Fashion Design
References
  1. إبراهيم, ع. (2019). توظيف جماليات زي المصنف في التصميم على المانيکان. مجلة العمارة والفنون والعلوم الانسانية, 13. https://doi.org/10.21608/mjaf.2018.20403
  2. الدوسري, س., & عبدالرحمن, ن. (2019). الاستفادة من فن الاوريجامي في التصميم على المانيکان باستخدام الخامات المتنوعة. مجلة التصميم الدولية, 9(1), 307–314. http://search.mandumah.com/Record/985221
  3. الشافعي, م. (2020, October). بالکمامات.. لجين وأسيل عمران تتألقان في مهرجان الجونة السينمائي. مجلة سيدتي. https://www.sayidaty.net/node/1145081/فن-ومشاهير/أخبار-المشاهير/بالکمامات-لجين-وأسيل-عمران-تتألقان-في-مهرجان-الجونة-السينمائي#photo/1
  4. حسان, ر. (2015). أسس التصميم المفاهيمي في الموضة والأزياء- دراسة تحليلية. مجلة التصميم الدولية, 5(3), 1147–1155.
  5. محمد, آ. ع. (2020). التصميم التحويلي ودورة في تطوير منتجات الحياة اليومية في ظل الأزمات (دراسة لتصميم   المنتجات خلال جائحة کوفيد-19). مجلة التصميم الدولية, 10(4), 467–478.
  6. محمد, ر. (2016). سمات فن التجميع کمصدر لتصميم فانتازيا الأزياء. مجلة بحوث التربية النوعية-جامعة المنصورة, 44, 252–290.
  7. محمد, ر., & بيبرس, أ. (2014). رؤیة فنیة لتصمیم أزیاء للدعایة والإعلان فى ضوء فن البوب. مجلة الاقتصاد المنزلي, 30(30), 251–280.
  8. مدين, ف. ا., & ناصف, ش. م. ع. (2018). استخدام الطباعة في إبراز جماليات الفن الأوريجامي لتصميم وتنفيذ ملابس الأطفال الاستعراضية باستخدام التشکيل على المانيکان. مجلة العمارة والفنون والعلوم الإنسانية, 11 Part 2, 509–535. https://doi.org/10.12816/0046902
  9. مکرش, ن. ص. (2010). ابتکار تصميمات لأزياء النساء مستوحاة من الطبيعة البحرية بالمملکة العربية السعودية. جامعة أم القرى.
    1. Almila, A.-M. ri. (2020). Fashion in the Time of Corona: What Can the Sociology of Fashion Reveal? The European Sociologist, 1(45).
    2. Aragaw, T. A. (2020). Surgical face masks as a potential source for microplastic pollution in the COVID-19 scenario. Marine Pollution Bulletin, 159(June), 111517. https://doi.org/10.1016/j.marpolbul.2020.111517
    3. Block, I. (2020). Burberry releases face mask with signature check pattern on antimicrobial fabric. Dezeen.
    4. Choi, Y., & Lee, K. (2020). Changes in consumer perception of fashion products in a pandemic - Effects of COVID-19 spead -. The Research Journal of the Costume Culture, 28(3), 285–298.
    5. Cotrin, P., Bahls, A. C., Maio, C. R., Cesar, R., Oliveira, G. De, Barros, M. D. De, & Salvatore, K. M. (2020). The Use of Facemasks During the COVID-19 Pandemic by the Brazilian Population. Journal of Multidisciplinary Healthcare, 13, 1169–1178. https://doi.org/: 10.2147/JMDH.S281524
    6. Daryai, U. G., Deore, K. G., Deore, P. R., Imran, M., Bairagi, V. A., & Patil, P. V. (2020). Corona Virus ( Covid-19 ) Pandemic : A Systematic Review. 12(4), 516–523.
    7. Geyik Degerli, N. (2018). Pioneer Fashion Designers of Wearable Art in 21 ST Century. Idil Journal of Art and Language, 7(51), 1413–1426. https://doi.org/10.7816/idil-07-51-13
    8. Gibson, E. (2020). Lady Gaga teams pink face mask with “otherworldly” Iris van Herpen dress at VMAs 2020. Dezeen. https://www.dezeen.com/2020/09/04/lady-gaga-vmas-iris-van-herpen-cecilio-castrillo-face-mask/
    9. Gumuser, T. (2018). AN E Xperimental Design Sample IN Wearable Art by Combining Ottoman Miniature Art and Surrealism : Art-Sanat Dergisi, 9, 449–461.
    10. Hall, H., & Petter, O. (2020). The show must go on : what London Fashion Week is like during a pandemic. Independent Digital News &Media, 1–4. https://search.proquest.com/docview/2443953740?accountid=142908
    11. Hitti, N. (2020). Louis Vuitton unveils face shield that doubles as a cap. Dezeen. https://www.dezeen.com/2020/09/14/louis-vuitton-face-shield-coronavirus-visor/
    12. Hrga, I. (2019). Wearable technologies: Between fashion, art, performance, and science (fiction). Tekstilec, 62(2), 124–136. https://doi.org/10.14502/Tekstilec2019.62.124-136
    13. Ifteqar, N. (2020). This Prada Factory Will Now Mass-Produce Medical Overalls and Masks to Meet the Rising Demands. Vogue. https://en.vogue.me/fashion/prada-support-coronavirus-emergency-overalls-masks/
    14. Jotz, G. P., & Bittencourt, A. G. (2020). SPECIAL ARTICLE COVID - 19 Why We Need to Use and which Mask Types are Effective against the Novel Coronavirus ( COVID-19 )? International Archives of Otorhinolaryngology, 24, 255–257.
    15. Kim, E. (2017). AN Avant-garde Collection Inspired by the Global Water Crisis: Recycling Waste to Aesthetic Garments (Issue May). California State University, Northridge.
    16. Lee, R., & Kim, J. (2016). A Study on the Three-dimensional Expression of Fashionable Textiles based on Analyses of 3D Scanning and Textile Properties -Focus on the Work of Iris van Herpen-. Fashion Business, 20(2), 124–133. https://doi.org/10.12940/jfb.2016.20.2.124
    17. Madsen, A. C. (2020). From Jeremy Scott at Moschino, a Celebration of the Magic, Whimsy, and Fantasy of Fashion in 40 Puppet-Sized Looks. Vogue. https://www.vogue.com/fashion-shows/spring-2021-ready-to-wear/moschino
    18. Mcgoogan, J., & Wu, Z. (2020). Characteristics of and Important Lessons From the Coronavirus Disease 2019 ( COVID-19 ) Outbreak in China Summary of a Report of 72 314 Cases From the Chinese Center for Disease Control and Prevention. JAMA, 323(13), 1239–1242.
    19. Mueller, T., Elkaseer, A., Charles, A., Fauth, J., Rabsch, D., Scholz, A., Marquardt, C., Nau, K., & Scholz, G. (2020). applied sciences Eight Weeks Later — The Unprecedented Rise of 3D Printing during the COVID-19 Pandemic — A Case Study , Lessons Learned , and Implications on the Future of Global Decentralized Manufacturing.
    20. Odabaşı, S. (2015). A Design Method on Wearable Art. Between Worlds Innovation and Design in Textile and Costume.
    21. Ravenscroft, T. (2020). Adidas launches reusable face mask called Face Cover. Dezeen. https://www.dezeen.com/2020/05/25/adidas-launches-reusable-face-mask/
    22. Roberto, D., & Pezzi, F. (2018). Peça obscura : uma análise sobre a wearable art de Henry Van de Velde. 2005, 1–11.
    23. Seyed, T. (2019). Technology Meets Fashion : Exploring Wearables , Fashion Tech and Haute Tech Couture. CHI Conference on Human Factors in Computing Systems, 1–5.
    24. Yu, C.-Y. (2018). A Crossover between Avant-Garde Fashion and Contemporary Art: A Case Study of Alexander McQueen. In World Academy of Science, Engineering and Technology International Journal of Bioengineering and Life Sciences (Vol. 12, Issue 1).
    25. Zhang, L., Holland, B., & Sanders, E. (2017). From Chinese Painting to Wearable Art: The Development of Wearable Art Design Process Model and Evaluation Methods for Wearable Art Designers “From Chinese Painting to Wearable Art: The Development of Wearable Art Design Process Model and Evaluation Methods for Wearable Art Designers” (Vol. 12). https://lib.dr.iastate.edu/itaa_proceedings/2017/posters/18
 

Statistics
Article View: 1,292
PDF Download: 742