Stage or Page? A Dub Performer or A Dub Poet? A Study of Linton Kwesi Johnsons’ Political Activism in “Five Nights of Bleeding” and “Di Great Insohreckshan”
Aman, Y. (2017). Stage or Page? A Dub Performer or A Dub Poet? A Study of Linton Kwesi Johnsons’ Political Activism in “Five Nights of Bleeding” and “Di Great Insohreckshan”. EKB Journal Management System, 2017(1), 284-298. doi: 10.21608/cse.2017.22742
Yasser Aman. "Stage or Page? A Dub Performer or A Dub Poet? A Study of Linton Kwesi Johnsons’ Political Activism in “Five Nights of Bleeding” and “Di Great Insohreckshan”". EKB Journal Management System, 2017, 1, 2017, 284-298. doi: 10.21608/cse.2017.22742
Aman, Y. (2017). 'Stage or Page? A Dub Performer or A Dub Poet? A Study of Linton Kwesi Johnsons’ Political Activism in “Five Nights of Bleeding” and “Di Great Insohreckshan”', EKB Journal Management System, 2017(1), pp. 284-298. doi: 10.21608/cse.2017.22742
Aman, Y. Stage or Page? A Dub Performer or A Dub Poet? A Study of Linton Kwesi Johnsons’ Political Activism in “Five Nights of Bleeding” and “Di Great Insohreckshan”. EKB Journal Management System, 2017; 2017(1): 284-298. doi: 10.21608/cse.2017.22742

Stage or Page? A Dub Performer or A Dub Poet? A Study of Linton Kwesi Johnsons’ Political Activism in “Five Nights of Bleeding” and “Di Great Insohreckshan”

Cairo Studies in English
Article 16, Volume 2017, Issue 1, December 2017, Pages 284-298    PDF (601.31 K)
Document Type: Original Article
DOI: 10.21608/cse.2017.22742
Author
Yasser Aman*
Associate Professor of English Literature, Deaprtment of English, College of Arts, Imam Abdulrahman Bin Faisal University, Dammam, Saudi Arabia.
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