The Verbatim as a Petit Narrative: A Lyotardian Reading of Guantanamo: ‘Honor Bound to Defend Freedom’ | ||||
| مجلة کلية الآداب | ||||
| Article 10, Volume 69, Issue 69, October 2023, Page 3-33 PDF (1.18 MB) | ||||
| Document Type: المقالة الأصلية | ||||
| DOI: 10.21608/bfa.2023.237884.1241 | ||||
 View on SCiNiTO | ||||
| Author | ||||
Dr. Haris A. Noureiddin 
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| قسم اللغة الانجليزية كلية الالسن جامعة اسوان | ||||
| Abstract | ||||
| Abstract: The central thesis of this paper is that the authors, Victoria Brittain and Gillian Slovo, manipulate the verbatim techniques in their play Guantanamo: ‘Honor Bound to Defend Freedom’ (2004) as pragmatics of communication and legitimation. Through these verbatim techniques, the authors construct a set of paralogies or petit narratives that destabilizes the totalizing nature of America’s grand narrative on the absolute justice and freedom, which has shaped the post-9/11 politics and history. From the standpoint of Jean Francois Lyotard’s postmodern discourse on the incredulity towards metanarratives, this post-9/11 narrative is revealed as flawed and inaccurate. In Guantanamo, the verbatim techniques are structured in a way to bring to view fact-based ‘petit’ narratives that expose the human and legal violations committed against the Guantanamo Muslim detainees, putting the world’s most powerful democracy on a moral trial. In addition, these petit narratives assert that historical accounts must always be perceived with skepticism, and that there is no such thing as a single, unique reality. Keywords: The verbatim, Jean-François Lyotard, Grand Narrative, Petit Narrative, Paralogy, Guantanamo: ‘Honor Bound to Defend Freedom’ | ||||
| Keywords | ||||
| verbatim; lyotard; narrative; guantanamo | ||||
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