Symbolism throughout the ages in the Ancient Arts | ||||
International Journal of Multidisciplinary Studies in Architecture and Cultural Heritage | ||||
Volume 7, Issue 1, June 2024, Page 45-53 PDF (2.19 MB) | ||||
Document Type: Original Article | ||||
DOI: 10.21608/ijmsac.2024.300503.1035 | ||||
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Authors | ||||
Mohamed Ahmed Orabi* 1; Mahmoud Abdel - Hafiz* 2; Shaza Khalid Abdel-Mageed ![]() | ||||
1Professor of Painting and The Dean of the faculty of fine Arts at the Egyptian – Russian University | ||||
2Lecturer of Painting at the Faculty of fine arts in Luxor | ||||
3Assistant teacher at the faculty of fine arts- Painting Department | ||||
Abstract | ||||
The researcher examines the evolution of symbolic representations in ancient art spanning from the Stone Age, where symbolism served as a direct mean for expressing emotional states, to subsequent periods such as ancient Egypt, Greece, Rome, and beyond. Across these civilizations, artists demonstrated an appreciation for the symbolic value inherent in their surroundings, often derived from nature and the materials offered by the Earth. This appreciation led to a continual exploration of new materials and mediums, such as Papyrus plant in Ancient Egypt. Throughout these transitions, symbolism remained as a central focus of the artistic expression, reflecting the artist's innate inclination towards metaphysical contemplation of the universe and existence. Thus, it can be posited that ancient artists effectively realized the significance of symbolism in their artworks, manifesting through their natural inclination towards metaphysical themes and reflections on the human condition. | ||||
Keywords | ||||
Symbolism; Nature; Primitive Art; Ancient Arts | ||||
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