ملامـح الالتزام في ديوان (انزفي يا جراح) للشاعر محمـد عبد الرازق أبي مصطفى | ||||
مجلة کلية اللغة العربية بإتاى البارود | ||||
Article 7, Volume 37, Issue 1, November 2024, Page 215-300 PDF (1.33 MB) | ||||
Document Type: المقالة الأصلية | ||||
DOI: 10.21608/jlt.2024.393679 | ||||
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Author | ||||
نجفة السيد الشنهاب عيطة | ||||
قسم الأدب والنقد، كلية الدراسات الإسلامية والعربية للبنات بالمنصورة، جامعة الأزهر، مصر | ||||
Abstract | ||||
يقوم هذا البحث على بيان مفهوم قضية الالتزام في الشعر، بما يؤكد أن الالتزام ليس قيدًا على الإبداع الأدبي أو المبدع، ويناهض القول بأن غاية الفن هي الغاية الجمالية فحسب، كما يزعم أصحاب «الفن للفن»، أو التعبير عن الذات ولواعج النفس فحسب، كما هو الحال عند أصحاب «الاتجاه الرومانسي»، وليس إلزامًا مفروضًا على الأديب من الخارج – كالالتزام الماركسي، أو يمكن تحقيقه في النثر دون الشعر –كدعاة المذهب الوجودي، ويبدأ البحث بمقدمة: تشتمل على عنوان الموضوع، وأهميته، ودوافع اختياره وأبرزها: توجه الشاعر نحو قضايا أمته يشارك في نصرة قضاياها، ويجاهد بشعره للتمسك بأسباب النصر، وتجاوز أسباب الهزيمة. وقد قسمت البحث بعد هذا التقديم إلى تمهيد، ومبحثين، وخاتمة. تناولت في التمهيد: مفهوم الالتزام، والتعريف بالشاعر، والدلالة النقدية لعنوان ديوان «انزفي يا جراح»، وعناوين القصائد وعلاقتها بقضايا الديوان، والتعريف بالديوان المدروس. أما المبحث الأول: فتناولت فيه (الملامح الموضوعية) التي تدل على التزام الأديب (بقضايا وطنه وأمته). والمبحث الثاني: بينت فيه (الملامح الفنية): (اللغة والأسلوب)، (والصورة الشعرية)، (والموسيقى الشعرية). ثم كانت الخاتمة؛ وتضمنت أهم النتائج، ثم ختمت البحث بفهرس للمصادر والمراجع، ثم فهرس الموضوعات. | ||||
Keywords | ||||
: الالتزام; ديوان; انزفي يا جراح; محمد عبد الرازق | ||||
References | ||||
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