اللغة البصرية المشتركة بين رسوم الأطفال و الفن البدائي واثر ذلك علي التصوير الأوربي الحديث THE COMMON VISUAL LANGUAGE BETWEEN CHILDREN'S DRAWINGS AND PRIMITIVE ART | ||||
| الدورية العلمية لکلية الفنون الجميلة | ||||
| Volume 12, Issue 2, December 2024, Page 195-210 PDF (1.56 MB) | ||||
| Document Type: المقالة الأصلية | ||||
| DOI: 10.21608/sjfa.2024.330241.1084 | ||||
 View on SCiNiTO | ||||
| Author | ||||
Alaa Atef Mohamed 
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| Lecturer at Painting Department - Faculty of Fine Arts - Alexandria University | ||||
| Abstract | ||||
| Fine art is the mirror of peoples and was born with primitive man; since the first emergence in which man tried to confront everything around him, he found himself surrounded by all difficult circumstances; and in order to adapt to the circumstances, he expressed his concerns and everything that went on in his subconscious mind, so he recorded drawings that remained the basic reference for all subsequent arts. Primitive art is characterized by a special entity with its historical, ideological and artistic components. It also has its impact on the course of subsequent civilizations. Children's drawings also have their own distinctive character, as they converge to a large extent in their origin and development with the art of ancient primitive man and the development of his knowledge of things and his expressions through his drawings, which are a means of communication with everything around him. Both primitive art and children's art shared a simple and spontaneous visual language. Modern artists have benefited from this consistency in their artworks, some of them with the aim of returning to innocence , and others with the aim of conveying a clear image of the nature of their society | ||||
| Keywords | ||||
| Primitive; children's drawings; primitive art; children's art; visual language; Modern arts | ||||
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