Using Relief Sculpture As A Formative Value For Plant Elements In Ceramic And Wooden Surface Treatments | ||||
| مجلة دراسات وبحوث التربية النوعية | ||||
| Volume 10, Issue 4.1 - Serial Number 26, October 2024, Page 1104-1125 PDF (1.2 MB) | ||||
| Document Type: المقالة الأصلية | ||||
| DOI: 10.21608/jsezu.2024.399647 | ||||
 View on SCiNiTO | ||||
| Authors | ||||
| Dr. Ahmed Tahan1; Dr. Fahad Ahmed AlKandari2; Dr. Mahmoud Mohamed Elsaid3 | ||||
| 1Dr.Professor, Faculty of Applied Arts-Damietta University, Egypt. | ||||
| 2Dr.Associate Professor Department of Art Education , College of Basic Education, Kuwait | ||||
| 3Dr.Assetant professor, Department of Art Education , College of Basic Education, Kuwait | ||||
| Abstract | ||||
| Through the art of relief sculpture, which assembles and mixes elements within the design, various movement rhythms occur, serving the expressive aspect. Due to its multipurpose, aesthetic, and functional dimensions, relief sculpture has a vital role in enriching the surfaces of sculptural work. It spreads aesthetic taste by creating artistic methods that enhance the ceramic and wooden surface work. The researchers used a variety of formative values by utilising the plant elements—stems, leaves, and flowers—to inscribe and symbolise the sculptural work surfaces. A contribution of the sculpture program reconstruction of the sculpture technology (i.e., processing of raw materials, forming, and surface treatment methods) for stone paste (ceramic) and wooden bodies are explained. Ceramic and wood pottery are used as case studies. The approaches to determining how pottery vessels (ceramic and wood) were constructed are outlined as decoration through three axes. Finally, future developments in ceramic and wooden art studies are briefly considered. | ||||
| Keywords | ||||
| Relief Sculpture; Ceramic and Wooden Pottery; Plant Elements | ||||
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