MY OWN VISION OF CREATIVITY IN THE ART OF PAINTING -THE NOWNESS- THE EMERGENCE OF THE IDEA AND ITS EVOLUTION | ||||
| Journal of Arts & Architecture Research Studies | ||||
| Volume 5, Issue 10, December 2024, Page 271-281 PDF (977.87 K) | ||||
| Document Type: Invited editorial articles | ||||
| DOI: 10.47436/jaars.2024.323919.1222 | ||||
 View on SCiNiTO | ||||
| Author | ||||
Mohsen Mostafa Hamza 
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| Painting Department, Faculty of Fine Arts, Helwan University, Egypt | ||||
| Abstract | ||||
| This article is a summary of my own vision of creativity in the art of painting without going into details, and during years of study when I was a student at the college, I was interested in studying the rules of forms, elements and things, until I graduated in 1973, and the problems that the society had faced, forming a motive to search my way to express inner powers. I studied the meaning in Van Gogh's creativity and his liberation of performance with his commitment to see the reality, and I explained how I was freed from seeing reality to portray my emotions in ways that are consistent with it. The article of the critic ‘Hussein Bicar’ dealt with my vision of creativity and different societal developments and concepts of globalization and its impact on the motivations of creativity. I explained the axes of the vision (the nowness) and the importance of freedom in it. 1- Form as a synonym for feelings, in which I explained how form is synonymous with feelings. 2- Color as a conductor of emotions, and I also explained how color is a conductor of emotions. 3- The culture and role of touch, which was exposed to the types of touches, its features, characteristics, and the motives for its use, and then the role of mental and psychological motives in an artwork, and the importance of freedom in creativity. | ||||
| Keywords | ||||
| Feelings; Psychological Motivations; Culture and role of the touch | ||||
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