“THE THREE PERFECTIONS” IN CHINESE PAINTINGS

تشنغ يوي تشن (2014). لمحة عن الثقافة في الصين: عبدالعزيز حمدي عبدالعزيز، أيوظبي، الإمرات: هيئة أبوظبي للسياحة والثقافة مشروع كلمة.

فرانسوا شينغ (2008). الكتابة الشعرية الصينية مع مختارات من شعر مرحلة آل تانغ: عدنان محمد وصلاح صالح، القاهرة، مصر: المركز القومي للترجمة.

Alfreda Murck (1991). Words and Images: Chinese Poetry, Calligraphy, and Painting. Princeton, USA: The Metropolitan Museum of Art & Princeton University Press.

Ch’in Hsiao-yi (1984). Great National Treasures of China: Taiwan: National Palace Museum.

Geng Mingsong (2007). Landscape Painting of China: Beijing, China: China International Press.

James Cahill (1977). Chinese Painting: Treasures of Asia. New York, USA: Skira Rizzoli.  

Lin Ci (2008). The Art of Chinese Painting Capturing the Timeless Spirit of Nature: Yan Xinjian, Cultural China Series. Beijing: China International.

Maxwell K. Hearn (2008). How to Read Chinese Painting: New York, USA: The Metropolitan Museum of Art.

Wen  C. Fong (1992). Beyond Representation: Chinese Painting and Calligraphy 8th - 14th century. New York, USA: The Metropolitan Museum of Art.

Wen Fong & Maxwell K. Hearn (1982). Silent Poetry: New York, USA: The Metropolitan Museum of Art.

Zhang Anzhi (2006). A History of Chinese Painting: (Beijing, China: Foreign Language Press).

Zheng Enbo & Zheng Qiulei (1999). Chinese Literature: Xiang Jing, Chinese Culture and Art Series. Beijing, China: Culture and Art Publishing House).

https://collections.mfa.org/objects/29081/fivecolored-parakeet-on-a-blossoming-apricot-tree?ctx=5cc8ad5f-4ad8-4700-aa4d-e5372bcdad1c&idx=0 September 2024-Five-colored parakeet on a blossoming apricot tree.

https://www.brooklynmuseum.org/opencollection/objects/90430 2008-Jiang Shijie, Landscape and Poems from an Album the Three Perfections.

https://www.clevelandart.org/art/1953.247, Sirén, Osvald. Chinese Painting: Leading Masters and Principles. New York: Ronald Press, 1956. Mentioned and Reproduced: VI, pl. 384-B; VII, Lists, p. 325.

https://www.christies.com/en/stories/the-role-of-poetry-in-chinese-painting-4422b466e4754c54b3e191ed3eb32a02, 25 November 2016 - Christie’s, The role of poetry in Chinese painting.

https://global.chinadaily.com.cn/a/202408/10/WS66b708aaa3104e74fddb95ce.html Updated: 2024-08-10 11:25 ZHAO XU - Growing a new branch of art in literary soil, | China Daily |

https://www.namoc.org/zgmsg/xw2011/201102/84e775fcfe4448b4a8c04cb806cbcb78.shtml (National Art Museum of China)

https://www.ngv.vic.gov.au/essay/three-perfections-poetry-calligraphy-and-painting-in-chinese-art/, 2013- Mae Anna Pang.

https://www.shine.cn/feature/art-culture/1808029787/ 2018- Auspicious Cranes, by Peter Zhang, 16:42 UTC+8, 2018-08-02 (Shanghai Daily)

https://www.metmuseum.org/art/collection/search/40081, Wang Xizhi watching geese

Qian Xuan Chinese, ca. 1295

https://www.metmuseum.org/art/collection/search/45636Woods and Valleys of Mount Yu

Ni Zan Chinese, dated 1372

https://www.metmuseum.org/art/collection/search/41191Wintry plum, Ni Jing Chinese, 14th century

https://www.metmuseum.org/art/collection/search/49241, Ink bamboo, Li Shan Chinese, dated 1749

https://www.ngv.vic.gov.au/essay/three-perfections-poetry-calligraphy-and-painting-in-chinese-art/

https://www.shine.cn/feature/art-culture/1905022886/  2019-Grapes, by Peter Zhang,  10:00 UTC+8, 2019-05-02  (Shanghai Daily)    

https://theme.npm.edu.tw/exh105/oversized10/en/index.html  2016-Manual of Ink Bamboo. #

Peter C. Sturman, 1990, “Cranes above Kaifeng: The Auspicious Image at the Court of Huizong”, Freer Gallery of Art, The Smithsonian Institution and Department of the History ofArt, University of Michigan, Ars Orientalis, Vol. 20.

Tzi-Ceng Wang, 2001, “Wu Zhen Poetic Inscription’s on Paintings”, Cambridge: Cambridge University Press , volume 64 no. 2.