The art of installation in space and its impact on the plastic formulations of contemporary ceramics | ||||
| ERU Research Journal | ||||
| Volume 4, Issue 1, January 2025, Page 2330-2343 PDF (431.15 K) | ||||
| Document Type: Original Article | ||||
| DOI: 10.21608/erurj.2025.324192.1186 | ||||
 View on SCiNiTO | ||||
| Author | ||||
Mahmoud Roshdy Gaber allam 
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| visual arts,finearts,eru,cairo,egypt | ||||
| Abstract | ||||
| With the emergence of the postmodern movement that worked to confirm the role of art as a social phenomenon since the mid-twentieth century, specifically with the end of World War II. It is a continuous heritage movement that represents the complex relationship between the past and the reinterpretation of heritage and its importance, and its re-integration with modern formative formulations that work to intertwine the arts with each other and remove barriers. Which had a clear impact on all types of visual art, and the emergence of experimentation associated with this important development had its impact on the art of ceramics, which was considered one of the applied arts. Ceramic artists were not isolated from these developments. That period provided artists with techniques and technology that contributed significantly and noticeably to highlighting the aesthetics and philosophy of the artwork and its expressive and artistic values. Artists began to express not only what was inside them, but also the issues that society experiences, and they expressed this through the art of installation in space as one of the most important contemporary arts and trends. This type of art depends on organizing the artwork within a space, whether this is inside exhibition halls or the external environment. | ||||
| Keywords | ||||
| Art of installation in space; plastic formulations; contemporary ceramics | ||||
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