Negotiating Fragmented Identities: Marlene Nourbese Philip’s Poetics of Caribbean Displacement | ||||
| Beni-Suef University International Journal of Humanities and Social Sciences | ||||
| Volume 7, Issue 1, June 2025, Page 1-20 PDF (284.21 K) | ||||
| Document Type: Research from theses | ||||
| DOI: 10.21608/buijhs.2024.267327.1134 | ||||
 View on SCiNiTO | ||||
| Author | ||||
Hanaa Khalifa Mohamed 
| ||||
| English Department, Faculty of Arts, Beni-Seuf University | ||||
| Abstract | ||||
| This article explores themes of displacement, identity negotiation, and cultural hybridity in the avant-garde poetry of Caribbean-Canadian writer Marlene Nourbese Philip. Through close analysis of poems from She Tries Her Tongue, Her Silence Softly Breaks (1989). The article examines how Philip’s innovative postmodern poetics and aesthetics embody key theoretical concepts around diaspora and liminality from Homi Bhabha’s The Location of Culture. Specifically, Philip’s fragmented language, nonlinear structures, code-switching, and reinvention of poetic form closely parallel Bhabha’s notions of rupture, ambivalence, and continuous reinscription of identity for diasporic subjects. By juxtaposing specific poems against Bhabha’s theoretical frameworks, the analysis reveals fresh perspectives on the complexities of Caribbean diasporic experience as conveyed through Philip’s thematic preoccupations and aesthetic choices. Ultimately Philip’s avant-garde approach suggests possibilities for articulating marginalized, heterogeneous realities outside of colonial paradigms. Her pioneering work ushers in new inclusive poetic languages and frameworks that reflect the diversity of Caribbean identities and experiences. | ||||
| Keywords | ||||
| Marlene Nourbese Philip; Homi Bhabha; avant-garde poetics | ||||
|
Statistics Article View: 98 PDF Download: 67 |
||||
