Sustainable Scenography in The Octopus: A Play Design Inspired by E.M. Forster’s The Machine Stops | ||||
| International Design Journal | ||||
| Article 3, Volume 15, Issue 5 - Serial Number 68, September and October 2025, Page 21-36 PDF (1.94 MB) | ||||
| Document Type: Original Article | ||||
| DOI: 10.21608/idj.2025.388019.1335 | ||||
 View on SCiNiTO | ||||
| Author | ||||
Neveen Abdellatif Omar  
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| Fine Arts Faculty, Decor Department, Alexandria University | ||||
| Abstract | ||||
| This research examines the cyclical nature of civilizations, which rise, decline, and ultimately collapse due to complex social, economic, political, and cultural factors. In the 21st century, digital technology has made civilization more intricate than ever. It references E.M. Forster’s novella "The Machine Stops," a prophetic work from the early 20th century warning about overdependence on technology and emphasizing the importance of human uniqueness. Building on this, the study hypothesizes that the disappearance of modern technology—whether rapid or gradual—could push society toward sustainability and resource recycling. The research proposes a theatrical performance titled "The Octopus," inspired by Forster’s themes, to be performed on a modular mobile stage using recycled materials for scenic elements and giant puppets, promoting sustainable scenography. The author showcased the proposed designs at the Ahmed Osman Exhibition Hall (Small Hall) at the Faculty of Fine Arts, Alexandria University, Egypt, on April 26, 2025. Utilizing descriptive, analytical, inductive, and deductive methods, the study concludes that adopting sustainability in arts and theatrical scenography is crucial for preserving humanity and civilization. It emphasizes the need for a balanced relationship with technology and highlights the importance of investing in human potential, asserting that sustainable artistic practices are vital for humanity's future. | ||||
| Keywords | ||||
| Sustainable Scenography; The Machine Stops; Recycling | ||||
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