The role of motion graphics and visual design styles in Dynamic Branding | ||||
| International Design Journal | ||||
| Article 8, Volume 15, Issue 5 - Serial Number 68, September and October 2025, Page 103-113 PDF (1.34 MB) | ||||
| Document Type: Original Article | ||||
| DOI: 10.21608/idj.2025.389690.1341 | ||||
 View on SCiNiTO | ||||
| Author | ||||
Mai Hassan Mohamed  
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| Lecturer, Multimedia and Internet Department, Media Sciences Division, International Academy for Engineering and Media Sciences, 6th of October City, Arab Republic of Egypt . | ||||
| Abstract | ||||
| In the age of digital transformation, branding has evolved from static and one-dimensional to dynamic, adaptive, and highly visual. Motion graphics and contemporary visual design styles are pivotal in this shift, enabling brands to communicate more effectively across various platforms and screen-based environments. The integration of motion, rhythm, and animation into brand identities allows companies to capture attention, enhance storytelling, build emotional resonance, and foster deeper user engagement. Motion graphics are now central to how brands present themselves in videos, user interfaces, digital ads, social media, and virtual environments. When combined with distinctive visual design styles such as flat design, 3D illustration, isometric perspective, or kinetic typography, they contribute to the creation of living brand systems that adapt and move in harmony with content and context. Today, brands are increasingly investing in motion-based identities that enhance recognition, tell stories across platforms, and provide cohesive visual experiences in a world where video and interaction dominate consumer engagement. This research explores the interplay between motion graphics and visual design language in shaping modern brand identities, examining how movement transforms brand perception and fosters more meaningful digital interactions. | ||||
| Keywords | ||||
| Logo; Animation; Motion Graphics; visual design styles; Dynamic Branding | ||||
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| References | ||||
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