Depiction of Kissing and Embracing in Byzantine and Coptic art as a sign of Greeting, Veneration and Romance | ||||
| The Scientific Journal of the Faculty of Tourism and Hotels, Alexandria University | ||||
| Volume 22, Issue 1, June 2025, Page 52-69 PDF (2.26 MB) | ||||
| Document Type: Original Article | ||||
| DOI: 10.21608/thalexu.2025.354832.1139 | ||||
 View on SCiNiTO | ||||
| Author | ||||
Mamdouh Mohamed Mamdouh Osman Elkaradawy 
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| Institute of Coptic Research and Studies - Faculty of Arts - Alexandria University | ||||
| Abstract | ||||
Kissing and embracing appeared in the Roman world as expressions of greeting, veneration, and romance. These gestures were performed on the lips, cheek, hand, leg, or foot, as seen in Roman art. Embracing was often accompanied by a kiss as a sign of respect and admiration. Saint Paul described the kiss as sacred, making it part of church rituals, where believers kissed after the liturgy. In Byzantine art, apostles were depicted kissing Christ’s hand, while saintly women kissed His feet. Bishops were shown embracing and kissing each other. Conversely, the kiss symbolized betrayal, as seen in depictions of Judas kissing Christ after his betrayal. In Coptic art, kissing appeared in Mary’s visitation scene and some mythological depictions but was absent in representations of Christ being kissed in veneration or betrayal. This study examines the artistic representation of kissing and embracing, analyzing murals, mosaics in churches and monasteries, diptychs, and manuscripts in museums in Egypt and worldwide. | ||||
| Keywords | ||||
| Kiss; Embracing; Holly; Greeting; Romance | ||||
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