Stylistic shifts in the modern traditional Arabic poem / a poem standing on a hill as a model | ||||
| مجلة كلية الآداب - جامعة القاهرة | ||||
| Volume 2020, Issue 4, April 2020 | ||||
| DOI: 10.21608/jarts.2020.100104 | ||||
 View on SCiNiTO | ||||
| Author | ||||
| Mustafa Taher Al-Haydara | ||||
| Associate Professor, Department of Arabic Language, Yarmouk University | ||||
| Abstract | ||||
| The modern traditional Arabic poem represents an extension of the traditional poem in a number of aspects That made some critics deal with it in a similar way to the way they deal with poems heritage, but in addition to that, it achieved great development in terms of artistic construction, and we found the poem It wears a new suit, in which it adorns itself with a uniform that makes it a field for modern studies with its new curricula. On the other hand, stylistics enriched during the twentieth century, and interacted with neighboring sciences. Such as criticism, rhetoric, linguistics, semiotics, and pragmatics, and thus contributed to the discovery of places of beauty, and new dimensions in the semantics of the poem; The veil reveals the meanings of the poem intense. This paper seeks to employ what stylistics brought in the modern era in revealing On the multiple indications and aesthetic images in the modern traditional Arabic poem, and a group The displacements and stylistic structures that made it full of meanings and connotations that the poet seeks to spread within his poem. It takes from the poem "A Stand on a Talal" by the poet Mahmoud Ghoneim 1 as a model for the application. | ||||
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