The image of women in Nidal Al-Qasim’s Diwan “Writing on Water and Mud”. | ||||
| مجلة كلية الآداب - جامعة القاهرة | ||||
| Volume 2022, Issue 7, July 2022 | ||||
| DOI: 10.21608/jarts.2022.114872.1210 | ||||
 View on SCiNiTO | ||||
| Author | ||||
| Lynda Obaid | ||||
| Yarmouk University, Jordan | ||||
| Abstract | ||||
| The image of women in Nidal Al-Qasim’s Diwan “Writing on Water and Mud”This study deals with the image of the woman in the poetry of the poet Nidal al-Qasim, “Writing on Water and Mud”, because of her remarkable presence in his poetry, an attempt to capture her multiple images, her close relationship with the poet, and his cultural, intellectual and psychological formation. The study has taken a textual analytical approach in dealing with the image of women within the Court, to clarify their representations, and to clarify their connotations and features, within a perception concerned with both form and content, in order to find out what the harmonious poetic texts indicate within the structure of the Court to say its sayings, visions and perceptions. Without neglecting the richness of the meanings of the image of women, and their general and specific human dimensions related to the alienation of the Palestinian intellectual, and its fragmentation due to his absence from his homeland. The study came in an introduction showing the problem of the research, its objectives and importance, and the previous studies dealing with the poetic experience of Nidal al-Qasim, passing through a preface that talks about women in ancient and modern poetry, as a present and dominant element within the Arab poetic discourse.It leads to an applied part that stops at the images of women in the Diwan, and ends with a conclusion that reviews the most important findings of the study. | ||||
| Keywords | ||||
| Woman s image; nidal alQasim; Diwan of writing on water and mud; Twenty-first century | ||||
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