Polyphony in the Five Cities of Salt by Abd al-Rahman Munif | ||||
| مجلة كلية الآداب - جامعة القاهرة | ||||
| Volume 2019, Issue 1, January 2019 | ||||
| DOI: 10.21608/jarts.2019.81541 | ||||
 View on SCiNiTO | ||||
| Author | ||||
| Abdul Rahman Munif | ||||
| Researcher - Faculty of Arts - Helwan University | ||||
| Abstract | ||||
| What distinguishes the fictional genre from the poetic genre is that disintegration and multiplicity of language, that clear diversity of various forms of discourse and different social expressions, considering language as a social phenomenon and a living organism that develops and grows with the development of social movement associated with historical events and major transformations that affect the natures of individuals, and then in Their languages, their ways of thinking, and their ideological differences, so how can the novelist reconcile the various trends, visions, and positions within the novel so that he does not let a certain party dominate or control another party or parties?; Here at this point, "Mikhail Bakhtin benefits from the opinion of the critic Ottokaus, who pointed to the multiplicity of ideological positions of equal influence in Dostoevsky's novels, He has been likened to the master of the house who can get along wonderfully with a group of guests of various stripes, control a colorful community, and make everyone equally nervous. | ||||
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