KESI/Silk Tapestries between Chinese and Islamic Arts "Artistic and Technical Exchange via the Silk Roads during the 7th–9th AH/13th–15th CE Centuries" | ||
| IWNW | ||
| Volume 4, Issue 1, 2025, Pages 269-286 PDF (1.45 M) | ||
| Document Type: Original Article | ||
| DOI: 10.21608/iwnw.2025.453575 | ||
| Author | ||
| Mohamed Ahmed Mohamed* | ||
| Department of Museums and Archaeological sites management, Archaeology Faculty, Ain Shams University – Egypt | ||
| Abstract | ||
| Not only are the textiles and costumes a facet of the local social identity of China but they also express the artistic, political, economic, and social identities of China in the deeper places. As the ideal ambassador for China the Chinese silk reflected the Chinese face to the world. During periods parallel to the Islamic era, Chinese artists used the Coptic technique in the manufacture of Chinese silk textiles called "KESI". KESI was very important in demonstrating influences between China and Islamic World, these influences were covering the technic and elements of decoration. So, KESI was a perfect proof for artistic and civilization influences transportation between the Far East and Middle East from long term ago. KESI was including exchange influences, which in turn included silk as a raw material of Chinese origin, and the tapestry technique as an ancient Middle Eastern influence brought to China by Muslims. The studyhistorically traces Kasi textiles along the Silk Roads between China and the Islamic East. It further demonstrates the mutual artistic influences between the arts of China and the arts of the Islamic world, particularly in the manufacture and decoration of textiles that in turn expressed the two artistic identities, Islamic and Chinese. | ||
| Keywords | ||
| China; KESI; Silk Tapestry; Islamic Art; Silk Roads | ||
| References | ||
|
Abd el-Salam, Mohamed Ahmed. “Textiles and Identity along the Silk Roads between China and the Eastern Islamic World”, in Textiles and Clothing along the Silk Roads, China: National Silk Museum, China: UNESCO, 2022.
Abd el-Salam, Mohamed Ahmed. “Fashions of a Traveler: The Universality of Egyptian Costume in the Mamluk Era”, translated by Nouran Ibrahim, Rawi, Egypt's Heritage Review, Egypt's Costume History, Issue 11, (2021): 53-57.
Al-Khatib, Mustafa Abdulkarim. Dictionary of Historical Terms and Titles, 1st ed. Beirut: Al-Resala Foundation, 1996.
Al-Sharif, Muhammad ibn Musa. Scholars of Central Asia (Turkestan) between Past and Present with an Overview of the Most Important Historic Cities of Turkestan, Uzbekistan: Conference of Tashkent, 2007.
American Museum Staff, Art of Asia Recently Acquired by American Museum, Archives of Asian Art, Vol.27, University of Hawai'i Press, s.d.
Breck, Joseph. Indian Cottons Four New Accessions, New York: The Metropolitan Museum of Art, Vol.23, 2007.
Boston Museum Staff, Persian, Arabic, and Indian Miniatures in the Museum of Fine Arts Boston, Art and Progress Journal, New York, Vol. 6, no. 5 (March 1915):150-153.
Ceceri, Kathy. The Silk Road Explore the World's Most Famous Trade Route with 20 Projects, China: Book world, 2011.
Chaffee, John W. Merchants of an Imperial Trade, Cambridge: Published by Cambridge University Press, 2018.
Clunas, Craig. and Jessica. The BP Exhibition Ming 50 Years That Changed China, London: The British Museum Press, 2014.
Dezhi, Chen. The History of Yuan Dynasty, Beijing: People’s Publishing House, 1986.
El-Kassm, Shreen. Lustrous silk in the Mamluk state, translated by: Nouran Ibrahim, Rawi, Egypt's Heritage Review, Egypt's Costume History, Cairo, Issue 11, (2021): 48-52.
Fiussello, Nadia. Following the path of Islam in Asia, the world of Islam from North Africa to China and Beyond from the collections of the Vatican Ethnological Museum, Vatican: Sharia Museums department, 2014.
Hagras, Hamada Mohammed. “Archaeological Mosques Remaining in Ancient Beijing from the Fourth Hijri Tenth Georgian Century tenth century to the End of the Thirteenth Hijri Nineteenth Georgian Century,” Unpublished Ph.D. thesis, Fayoum University, 2016.
Hansen, Valerie. The Silk Road A New History, New York: Book world, 2015.
Hasan, Zaky Mohamed. China and the Arts of Islam, Cairo: Hindawi Publishing Corporation, 2014.
Hoskins, Nancy Arthur. The Coptic Tapestry Albums and the Archaeologist of Antinoé, Lebanon: Albert Gayet, December 1, 2003.
Jea and Jean, History of China, Series of the Great Wall of China, part I, Building China publisher, 1st ed., Beijing, 1986.
Kadoi, Yuka. Islamic Chinoiserie the Art of Mongol Iran, Edinburgh: Edinburgh University Press, 2009.
Kashef, Sayda Ismail. China's Relationships with the Islamic Countries, Journal of the Faculty of Archeology, Vol. 1, Cairo, (1975): 31-39.
Kim Youngna, Celebrating Events with Banquets and Ceremonies in the Joseon Dynasty, National Museum of Korea, 2011.
Marzouq, Abdul Aziz. Woven Ornamentation in Fatimid Fabrics, Part 1. Cairo: Egyptian National Library, 1942.
Metz, Adam. Islamic Culture in the Fourth Hijri Century, Renaissance in Islam, translated by: Mohammad Abdul Hadi Abu Rida, ed. Refaat Albadrawy, Beirut: Dar Alketab Alaraby, Vol.2, 5th ed.
Morgan, David Orrin. and Anthony., The New Cambridge History of Islam, Vol.3, The Eastern Islamic World Eleventh to Eighteenth Centuries, Cambridge University Press, 2011.
Muhammad, Suad Maher. Islamic Textiles, Cairo: Central Agency for University Books, 1977.
Mustafa, Dalia Ashraf. “Depiction of Birds and Flowers in the Chinese Art (960-1911A.D.,” Unpublished MA. thesis, Helwan University, 2012.
Nasr, Tharya Sayed. History of People's Costumes, 1st ed. Cairo: Alam Al-Kutub, 1998.
Othman, Shawqi Abdelqawy. Trade of the Indian Ocean in the Reign of Islamic Sovereignty 41-904AH/661-1498AD, Kuwait: Alam Almarefa, National Council for Culture, Arts and Literature, July, 1990.
Polo, Marco. The travel of Marco polo, ed: Thomas Wright, London: Public library,2002.
Ratchnevsky, Paul. Genghis Khan His Life and Legacy, London: publisher Wiley-Blackwell, 1993.
Robuinson, William. and Hugh Edmonds, Art of the Islamic and Indian Worlds. London: Christie's, 2012.
Salman, Ahmed Ali Mahmoud. Textile Materials, Helwan: Faculty of Applied Arts- Helwan University, 1996.
Shafeeqa, Esani. “The Indian Subcontinent and China in the Writings of Muslim Explorers and Geographers from the Third to the Eighth Hijri Century,” Unpublished MA. Thesis, University of Algiers, 2009.
Sugimura, Toh. The Encounter of Persia with China, Research into Cultural Contacts Based on Fifteenth Century Persian Pictorial Materials, No.18, Osaka, Japan: Senri Ethnological Studies, 1986.
Timchenko, Tatiana. The Influence of Weaving Technologies on the Integral Characteristics of Synthetic Vascular Prostheses, СТМ journal, vol. 14, No.6, (2022): 5-12.
Varadarajan, Lotika. Silk in Northeastern and Eastern India "The Indigenous Tradition", U.K: printed in Great Britain, 1988.
Watt, James C. Wardwell Anne E., Rossabi Morris. When Silk Was Gold: Central Asian and Chinese Textiles, New York: The Metropolitan Museum press, 1997.
Whitfield, Roderick. Dunhuang: Caves of the Singing Sands: Buddhist Art from the Silk Road, vol.1. London: Textile Arts Publications, 1995.
Wilson, Verity. Chinese Textiles, 1ed, London: Victory and Albert museum, 2005.
Zhou, Wu Lee. Silk Road in History, China Today Magazine, Beijing, January (2014): 6-17. | ||
|
Statistics Article View: 1 PDF Download: 1 |
||
