Six Egyptian Hamlets: A Comparative Survey in Light of the Polysystem Theory | ||||
| مجلة کلية الآداب .جامعة بورسعيد | ||||
| Article 19, Volume 15, Issue 15, January 2020, Page 63-93 PDF (674.95 K) | ||||
| Document Type: المقالة الأصلية | ||||
| DOI: 10.21608/jfpsu.2020.87360 | ||||
 View on SCiNiTO | ||||
| Author | ||||
| Sara Mohamed Enani* | ||||
| An Associate Professor of English, Faculty of Arts, Cairo University | ||||
| Abstract | ||||
| Young, independent theatre-makers have attempted to adapt classical texts to a more contemporary context. This study emphasizes their endeavors through a comparative study of six Egyptian performances of Hamlet. It is concluded that this adaptation of texts is currently a dominant cultural trend which, in turn, remarks the strong tradition already in existence. | ||||
| Keywords | ||||
| Cultural modification; performances of Hamlet; Polysystem; Secondary mode; the Egyptian theatre | ||||
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