Inspiring the motion of growth forces in the natural composition as a principle for ever growing spatial architecture | ||||
| International Design Journal | ||||
| Article 29, Volume 5, Issue 4 - Serial Number 16, October 2015, Page 1655-1670 PDF (2.15 MB) | ||||
| DOI: 10.21608/idj.2015.102376 | ||||
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| Author | ||||
| Yasser Sayed El-Badawy Abdel-Latif Mohamed | ||||
| Lecturer, Department of Interior Design and Furniture, Faculty of Applied Arts, Helwan University, Arab Republic of Egypt | ||||
| Abstract | ||||
| The production of modern design has become dependent on experimental methods that are controlled by modeling techniques and design borrowing based on the static components of the computer as outputs and inspirational sources. The creative experience has lost its subjective and sensory properties, this resulted from the lack of real benefit from the sciences and arts associated with the natural sources of the universe, this case imposed an urgent necessity To search for sources of originality, which are the creative sources of the universe, because they are related to life - growth in itself is a dynamic dynamic movement that characterizes all components of nature with growing formative properties. The research problem stems from the absence of the concept of the relationship between nature and its inspiration from the global visions of designers, which led to a lack of natural anointment that gives the soul to architecture, and forms without contents and visions without meaning have lacked human sense and creative vision, and architecture has become dominated by static silence, separated from its space content and isolated From its spatial and civilizational surroundings. The research aims to develop an innovative vision as an attempt to grant the ability to present many creative and humanistic alternatives and solutions and their associated properties that combine the emotional and scientific nature to interpret, analyze and abstract the natural composition technically, as an attempt related to the designer self, and the extent of his ability to spoil to the beauty reservoir in The underlying forces controlling the natural body, in order to acquire and transmit these same characteristics in the creative product of architecture and its spatial structure, in this case the designer’s style in his “abstractly abstracted” design production becomes more like a discovery that invades nature and opens its closures to the mind of the average person and feelings and even the enjoyment of its visual sense Aesthetic. The research also seeks to define the general framework of the mechanism of recording movement in the abstract effect of the forces inherent in the cosmic nature as an intellectual stimulus, and focus on analysing its dynamic nature through to a theoretical framework represented by cognitive models of natural sources of inspiration and the application of those models to the product of an elected internal design and analysis of the results of that application through To explore the achieved movement patterns with final conclusions and recommendations | ||||
| Keywords | ||||
| Abstract Effect; Growth forces; Underlying Forces; Cosmic Nature; Creative Vision; Formative Architecture; Spatial structure; Growing Architecture | ||||
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