Magic Realism & Parental Love as manifested in Lyle Kessler’s Orphans | ||||
مجلة البحث العلمي في الآداب | ||||
Article 6, Volume 21, Issue 9, December 2020, Page 144-169 PDF (1.08 MB) | ||||
Document Type: المقالة الأصلية | ||||
DOI: 10.21608/jssa.2021.48091.1195 | ||||
View on SCiNiTO | ||||
Author | ||||
Randa Misbah | ||||
Department of Basic Science Faculty of Engineering- Delta University for Science and Technology, Gamasa, Egypt | ||||
Abstract | ||||
Lyle Kessler is an American playwright and actor. His play Orphans premiered at the Matrix Theatre in Los Angeles in 1983. It achieved international success. Orphans tells the story of two orphaned brothers who are banished from the world. They live in a dreamlike world where Treat’s, the older brother, overprotection leads to bringing up an adult, Philip, who is afraid of the outer world and prefers, unwillingly, to stay in the closet with his mother’s clothes rather than go out and experience the world. The play belongs to magical realism genre. It instigates audiences’ emotions in the 1980s, an era deeply influenced by prevalent capitalistic ideals. It moves from materialistic oppressive realities to magical dreamlike world, which gives hope and provides solace that lonely people will find someone who cares for them. | ||||
Keywords | ||||
Kessler; orphans; magical realism; reality; fantasy | ||||
References | ||||
Works Cited Allmann, Emma. “What is Magical Realism?” Book Riot. 2018. Available: <http://bookriot.com/2018/02/08/what-is-magical-realism/adefinitionandclassicsofthegenre.html> Accessed: 13/11/2020.Ausubel, Ramona. “What is Magical Realism?” The Oprah Magazine. 2019. Hearst Magazine Media, Inc. 2020. <http://WhatisMagicalRealism_AGuidetotheLiteraryGenre.html> Accessed: 13/11/2020. Brantley, Ben. “A Hostage Who Turns Into a Dad.” Theater Review. The New York Times. 2013. http://‘Orphans,’WithAlecBaldwin,attheSchoenfeldTheater-TheNewYorkTimes.html.> Accessed: 13/1/2020. Carveth, Donald L. “Dead End Kids: Projective Identification and Sacrifice in Orphans.” PSYART: A Hyperlink Journal for the Psychological Study of the Arts, article 980223. June 26, 1998. Available: <http://www.clas.ufl.edu/ipsa/journal/articles/psyart/1998_carveth02.shtml.> Accessed: a8/8/2020. Craven, Jackie. “Introduction to Magical Realism; Daily Life Turns Magical in These Books and Stories.” ThoughtCo. Updated August 2019. <http://MagicalRealism-DefinitionandExamples.html>Accessed: 13/1/2020.Drake, Sylvie. “Stage Review: Orphans; a Look at Love, Power.” Los Angeles Times 1986. <http://STAGE REVIEW_'ORPHANS'_ALOOKATLOVE,POWER-LosAngelesTimes.html> Accessed: 13/1/2020.Freidman, Milton. “Freidman Doctrine—The Social Responsibility Of Business Is to Increase Its Profits.” The New York Times. 1970. <http://nytimes.com/1970/09/13/archives/a-friedman-doctrine-the-social-responsibility-of-business-is-to-html> Accessed: 10/10/2020Holden, Richard. “Milton Friedman Told Us Greed Was Good. He Was Half Right.” UNSW Business School. 2020. <http://businessthink.unsw.edu.au/articles/economic-lessons-milton-friedman-50-years-on> Accessed: 10/10/2020Illing, Sean.”Is Capitalism Worth Saving? A Debate with Economics Writer Steven Pearlstein.” Vox. 2019. <http://www.vox.com.2019/1/2/18130630/american-capitalism-neoliberalis,-steven-pearlstein> Accessed: 10/10/2020.Johnson, Malcolm L.. ‘Orphans’ Offers Three Characters In Search of a Better Play.” Hartford Courant. 1992. <http://www.courant.com/news/connecticut/hc-xpm-1992-11-02-000011049-html> Accessed: 11/10/2020Kessler, Lyle. Orphans. Grove Press. New York. 1983. -----,-----. “Lyle Kessler on What Spurred Him to Write Orphans & Why the Play 'Celebrates the Human Spirit.” 2013. <http://LyleKessleronWhatSpurredHimtoWrite&WhythePlay'CelebratestheHumanSpirit'BroadwayBuzzBroadway.com.html>. Accessed: 18/5/2020. Kubersky, Seth. “Theater Review: Orphans'' at Theater on the Edge is Hilariously Heart Wrenching.” 2017. Available: <http://m.orlandoweekly.com/Blogs/archives/2017/11/13/theater-review--at-theater=on-the-edge-is-hilariously-heartwrenching> Accessed: 13/1/2020. Marcus, Joan. “Orphans: Theater Review.” The Hollywood Reporter. 2013. <http://www.hollywoodreporter.com/review/orphans-theater-reveiw-4442253> Accessed: 11/10/2020. Moore, Lindsay. “Magical Realism.” Postcolonial Studies at Emory pages. Internet. 1998. Last edited: 2017. Available: <https://scholarblogs.emory.edu/postcolonialstudies/2014/06/21/magical-realism/> Accessed: 13/2/2020. Niland, Rose . “Orphans by Lyle Kessler at Old Fitz Theatre, Sydney – Review.” The Culture Concept Circle. 2015.<http://byLyleKessleratOldFitzTheatre,Sydney-Review_The CultureConcept Circle.html> Accessed: 13/1/2020.Rooney, David. “Orphans: Theater Review.” Hollywood Reporter. 2013. <http:// Orphans_ Theater Review _ Hollywood Reporter.html> Accessed: 13/1/2020. Ross, Andrew. “A free Market Manifesto That Changed the World, Reconsidered.” The New York Times. 2020. <http://www.nytimes.com/2020/09/11/business/dealbook/milton-friedman-doctrine-social-responsibility-of-business.html.> Accessed: 10/10/2020. Stasio, Marilyn. “Legit Review: Orphans: Alec Baldwin, Ben Foster and Tom Sturridge Turn in Riveting Perfs in Incisive Play Revival.” Variety. 2013. <http://‘Orphans’TheaterReview_Kessler’sharrowingplaystarsAlecBaldwin–Variety.html> Accessed: 13/1/2020.
Zamora, Lois Parkinson. “Magical Realism in a Nutshell.” Oprah.com. 2004. <http://Magical Realism_ In a Nutshell.html> Accessed: 13/1/2020.
| ||||
Statistics Article View: 298 PDF Download: 574 |
||||