Staircases of Upper Egyptian Temples in the Graeco-Roman Period | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Minia Journal of Tourism and Hospitality Research MJTHR | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Article 7, Volume 8, Issue 1, December 2019, Page 145-188 PDF (2.53 MB) | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Document Type: Original Article | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
DOI: 10.21608/mjthr.2019.140942 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Authors | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Ezzat Zaki Hamed Qadous1; Youssri E. H. Abelwahed2; Mahmoud Ghanim Ibrahim Ahmed3 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
1Professor of Graeco-Roman Archaeology, Faculty of Arts, Alexandria University. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
2Tourist Guidance Department, Faculty of Tourism and Hotels, Minia University | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
3Researcher, Faculty of Tourism & Hotels, Minia University. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Abstract | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
This article deals with the different terms used to designate the staircase in the different periods of ancient Egyptian history or associated with the staircase. It also considers the architectural and mythological/ religious functions of the staircase. The different forms or shaped of the staircase will be the final element discussed in the chapter. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Keywords | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Staircases; Upper Egyptian Temples; the Graeco-Roman Period | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Full Text | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Introduction This article is divided into two/ three sections: the first aims to reviews the several terms which are used to designate the meaning of staircase or are associated with it. also to outline the deities associate with these terms. The second section aims to classify the different types of staircases of the temples of the Graeco-Roman period in Upper Egypt.
Terminology This section highlights the different terms used to describe or designate the staircase in the Graeco-Roman period. For systematic reasons, it will be arranged alphabetically. Determinatives The Determinative () This determinative can refer to either the staircase or a hill with one ascending side. Earliest examples of this determinative date back to the old kingdom when it took the shape of only three steps ( ) as the labels[1] (figures 1.2.3.4) tell. Onwards, it took the shape of stool with steps that could be more than three. Then it took this shape ( ) till the second dynasty, then ( ) till the middle kingdom. In the middle kingdom, it started to appear as ( ) in coffin texts. Later in the new kingdom both were used but the ( -wṯs) was so common. In the late period onwards those four were used side by side. Kessler believes that the signs and determinatives of ( and ) are all expressing the same meaning, or at least they all are referring to the help to the deceased in the netherworld.
It is associated with the terms rd, rdw, rwd, and ḫtyw. The determinative is perhaps an indication for the myrrh cultivated cliffs in Punt, the turquoise cliffs in Sinai or the cedar cliffs in Lebanon as Sethe[2] and Engel[3] suggested. It may refer to the throne of Horus as Griffith thought[4]. Generally, the determinative has five steps, but the number of the steps can range from three to five steps. It frequently appears in the Pyramid and coffin texts. For example, the sign refers to many concepts with symbolic connotations such as the staircase of the throne, the heaven, and of the primeval mound. The determinative continued to be widely used in the Graeco-Roman period; inscriptions of temples of Hathor at Dendara and Horus at Edfu heavily mentioned this determinative. At temple of Horus one finds" "rwd n pr ijr r" which means "It is the staircase by which Horus ascends towards the sky". Another Example for referring to the meaning of a throne of Horus " " "Hr bhdti ntr ca nb pt mi m hy-t shn k hnd(w) k hnt s", which give the meaning "O Horus of edfu great deity back to the sky of the temple for your pose on the throne which exist in the sancturay". Another inscription at the first colonnade west ", which emphasis the meaning of staircase "ascend the staircase in front of the deity". Also at the second colonnade east, this phrase "ascend the staircase, in front of your tabernacle", or .[5]
The Determinative () This determinative visualizes a double staircase or two opposite staircases, which seem to represent the stepped base of the royal throne. Architecturally, the sign first appeared in the complex of king Djoser during the third dynasty, where the stepped pyramid of the king takes the shape of this determinative (fig.5). It also appeared in the fourth dynasty during the reign of king Senefru. The determinative was included in the terms ḳȝȝ or ḳȝȝỉ, which mean a staircase, a hill, or a high place. It also occurs in the terms ˁr, ỉˁ, or ỉˁr, which designates the verb “to ascend” as we in the inscription of the western staircase of Hathor Temple of Dendara at the thickness of the windows" ", which gives the meaning of "to ascend" so the translation could be as Marriette see " the wind that ascend through the siege is the west wind".[6] [7] An architectural and physical representation of the determinative can be found just to left side of the first pylon of Isis temple on Philae (fig. 6).
Architecturally, it gives access to the inner ambulatory of the temple. The double staircase on Philae consists of two parts, which were joined together, judging from the dividing line between the two sections. It appears that the two sections were a later addition to the temple. It used to facilitate access to and from the inner ambulatory. There is also another architectural representation in the back of the pylon of Kalabsha Temple (Fig 7.8.9 ). The form of this determinative varied; the number of the steps ranged from three to four. In some cases, the double staircase is mounted with a vestibule or an enthroned vestibule. The determinative is used to designate the staircase, which leads to the vestibule upon which the throne of the king rests or to the festival halls. This determinative played an important symbolic role in ancient Egyptian mythology, representing the primeval mound upon which everything was created.[8] This symbolism will be later discussed in full detail.
Terms There are many terms used to refer to the stairs and/or the staircases. These are discussed in the following section.
Comments Due to the numerous vocabularies of the staircases we could abstract that there were a lot of types and specifications for each of those vocabularies. Most of those terms refer to the staircase in general but those could also hold another meaning directly and indirectly way. The term could also associate with deity or to resemble a particular form. General characteristic features of hieroglyphic inscriptions of stair vocabulary in the Greco roman period. Sudden reverse of the writing direction It is known that the ancient Egyptian writing whether starting from left toward right or from right to left but what frequently happen in the Ptolemaic-roman period is a mixture between both. For example: The reasons for that may be to give an underlined refer to the importance of the reversed direction to the word. We can take the scene of the staircase of Dendara temple as evidence. Disorder of writing signs as usual, we can notice that there are some sings were added which is not necessary to be exist, till it becomes hard to understand the meaning. , Here we can notice that the word of rwd means the stairs but in this insription it read as ri atr. 1- That the ancient Egyptian language gave a great importance for the stairs terms and specified usages for almost all objects. 2- The terms of the stair in ancient Egyptian language refered also as we may use in Arabic language to refer to the throne, we say in Arabic as a metaphor "الکرسي" ARCHITECTURE The Functions of Staircases Staircases have two main functions in ancient Egypt, whether in the Pharaonic or Graeco-Roman period. The first is the architectural function associated with transition, like ascending and descending.[30] The second is the mythological and religious function, which is mentioned both directly and indirectly in many texts in the Graeco-Roman period and can be seen in the physical representations of the stairs in Egyptian temples. The overall architectural design of the temple serves a mythological concept in which the temple in ancient Egypt was supposed to be the dwelling of the deity. This religious symbolism survived through the Graeco-Roman period, when all the architectural elements of the temple were built to serve this concept. The temple was considered to be the primeval mound, which was surrounded with water and forces of chaos, here is the need to build the temple in higher levels, then the need for staircases. The Architectural Function of the Staircase Stairs were architectural elements of connectivity, serving as ascending and descending structures. They provided a system of transition between different levels of the buildings and structural elements of the temple. They also gave access to the chambers, inner halls, ambulatories, Nilometers, and roofs.[31] The staircase that lead to the roof, where festivals and ceremonies were conducted, Dendara, Edfu and Kom Ombo of Ptolemaic roman temples. These roof areas were used not only for matters of practical building maintenance but also in the rituals of various temples. The reliefs and scenes of the sides of the staircases are showing what is related to the concepts. At Dendara and Edfu the western and eastern staircases show the New Year festival ceremonies. Walls of those staircases were used for documentation of what exactly happen during rites, which was itself decorated with figures of the king and the gods participating in this very procession. An indication for access or for decoration, according to the stair that leads from the Edfu Temple Mamissi to the forecourt (measures approximately from 20cm to 22cm height), it is not reaching a higher level or easing access, it only might be for a decoration (Fig 10).
Mythological and Religious functions From the oldest examples of the Dynastic periods the staircases played a great role in the mythological context. Staircases were built to reduce light stage by stage as the ceiling is on one level so that putting more steps in every stage or level so that light will be reduced to make the inside is dark contra to outside. this will serve the concept of the deity is hidden inside and can see everything outside but nothing outside can see what is exists inside in the holly of hollies. In the Greco-Roman period the staircases continued to serve an important role in performing ceremonies. Mainly, staircase served the same concept in mythology which is ascending toward heaven just as the religion texts mention but also to serve a religion function like the staircases of temple of Dendara and Edfu which reach the terrace area. In Dendara, there are two staircases that reach the roof, one run east and the other west of the temple. Both are planned for the rise and the end of the divine procession, the day of the New Year's feast as well as for certain other solemnities. Hathor, her companions and all their religious needs were brought to the roof of the temple of, by one of these stairs, to fulfill the rite of the Union with the Solar Disk. This rite performed on the toil of the temple. The divinities, each guarded in a naos, as well as their cult accessories, were brought back by the same staircase of the temple. "Each wall of each of the two staircases is covered with a band of frieze. These bands give a detailed, realistic and poetic description of the procession[32]. In Edfu the staircases of the interior of the temple building on the East side and the west side, played the same role in the temple of Dendara but with deity Horus instead of Hathor. TYPOLOGY Design Forms of the Staircases are extraordinary diverse and their design can be traced through not just hundreds but thousands of years of human history. Even before humans made the two floors buildings they carved staircases into rock faces and such staircases worn by countless feet through the ages[33]. Nevertheless, the ancient Egyptian architecture there was a various forms of staircases, also during the Greco-Roman period. The history of the staircase as an architectural element has a great importance in the ancient Egyptian architecture. From the earliest examples of the staircases of the dynastic period till the Greaco-roman period, the layer mastaba, the stepped pyramid and Giza pyramids of the old kingdom are great examples of these criteria. Moving on throughout the middle kingdom, the ruins of the temple of Montuhotep with the entrance stairway or ramp give the same meaning of the concept of ascension to the heaven. Then the new kingdom, we find the best example of giving a wide layout to the staircases in the mortuary temple of Hatshepsut, the straight flight with landing give the same concept of ascension also with an elegant view to the entrance. The typology is based on the geometrical layout of the architecture of staircases: Straight flight The straight flight is the most common form; it is a Straight line of an uninterrupted series of steps.[34] This type could be found in the temple of Philae opposite to the first pylon, the second pylon, the vestibule of Nectanebo, the Nilometer of Philae temple, the eastern staircase in Dendara temple and the eastern staircase in edfu temple. Most of architectures believe that Straight stairs tend to be the easiest to go up and down or ascend/descend and they are typically the easiest to be built, however this depends a lot on the level of detail in the design and the eastern staircase of Dendara and edfu are simple in design. Straight stairs connected at the top (the roof) and the bottom (no intermediate supporting structure is required). They work with inherent simplicity. The steps of the eastern staircase of temple of Dendara are very steep riser this it took more space and less effort to be ascended. The eastern staircases of Dendara (Fig 11, 12) are straight and dark, consists of 97 steps. It was used during the feasts of deities. At the top of this staircase there is a block of sandstone was recycled holding the name of king Amenmhat (12th dynasty) walls of the staircase have a representations of the 56 priests which were represented on the quarter turn staircase.
Kom Ombo Mammisi It was built to the southwest of the temple, what is still located now is just remains. The design of the Mammisi has a staircase in the middle of the entrance, with a low riser six stairs supported by plain small ramps. One might notice that the risers are relatively high in comparison with those of vestibule of Nectanebo in Philae complex because of the higher podium which reflex the relativity of the podium with staircases in the entrance design Fig 13.14.
Philae The main temple has several flights of stairs but mainly two in the temple itself. one in front of the first pylon and the other in front of the second pylon. The first pylon (Fig 15), There is a straight flight of stairs consists of fourteen steps, flanked by three supporting blocks. Those stairs were made by the technique of laid blocks. At the top of the staircase there are two statues of lions of pink granite carved in roman style. Beside this flight locates a wide straight flight supported from the right side with thick baluster. The second pylon Fig 16 there is also a straight flight of stairs flanked by a plain border at an even slope from the top to the bottom.
Nilometer of the temple of Philae It locates at the west side of the main temple a the left of the first pylon; it is the type of the staircase. It takes the L shape with two flights. Walls are with no decoration except for two types of scales of measuring the highest point of the water level. There are three scales on the southern wall of the same type; apparently the highest one of them with a cross at the top of it. The other type exists on the northern wall, which is more accurate in lines and grades; maybe it was marked later than the first type. It seems that the walls were attempted to be distorted. There is another staircase exist in the opposite to the first pylon of the main temple, this staircase is straight flight consists of six steps leading to a dump end.
The Sacred Lake of Dendara The "Sacred Lake" is located on the south-west of the Temple of Hathor; it has a rectangular shape 32x27meters. One can get down to its sandy bottom by means of four straight flights staircases, arranged clockwise along the walls of the Lake. At the beginning of each staircase there is a door in the enclosure wall of the edge of the lake which gives access to an entrance. At the southern wall there is a podium, on which maybe exist sacred objects. There are remains of thick strong balustrades, one may guess the reason for building them is to get down to the lake, maybe there is another reason. They are built beside walls to gain support, the reason for building clockwise is to help descended to get down from any of the four sides. There is a block with the cut stairs, installed in the masonry of the external wall on the west side of the Lake. The one block may contain several steps. It is difficult to suppose, whether it was planned originally as a part of a certain construction, or whether we see the signs of ancient repair. Once Going Down to the western stairs to the bottom of the "Sacred Lake. Here will pay attention to the underground crypts, located inside the walls of the Lake perimeter.
Quarter Landing The western staircase of main temple of Dendara and The western staircase of temple of edfu, it takes 9 landings to reach the roof. Some architects believe that they are safer than straight stairs as the central landing reduces the number of treads one could fall in a given flight. The landing can provide a place to stop and rest while ascending. the west staircases of Dendara and Edfu are a rectangular of ten turns, lighted by small windows or ventilations, their sides decorated with symbolic representations of the inflowing rays of the sun. The western staircase of temple of Dendara and Edfu. It took the shape quarter turn and are divided into ten successive flights, built on a rectangular plane around a pillar Central of the same form with the riser height measures approximately (~±4 cm) waves from stair to another. It is made out of granite and it's Usage: giving access to the roof. On each floor, two windows light up the passage, Windows are narrow toward outside getting wider gradually toward inside with representations of sun desk with rays of light which indicate that the main purpose were for lighting.
U-Shaped Edfu Mammisi In front of the Horus temple of edfu, to the west of the main temple, locates the Mammisi. The Mammisi has a staircase in the front of it, It is L-shaped contains 18 stairs, Due to the narrow space the riser is very high which makes this staircase in little bit hard to be ascend, it was made out of sandstone. One might wonder why this stair was built. Perhaps to give access to the lintel of the entrance.
Spiral Staircase Winding or spiral staircases were not common in Egyptian architecture, but the earliest significant example, possibly as early as the Nineteenth Dynasty (1307—1196 B.C.), is at the complex of temples at el Mahrraqa temple (Fig 13) at Deir el-Medina. Along the Nile, spiral staircases were often consinicted to form wells or Nilometers, to measure the height of the Nile. They first appear from circa 760 B.C and continue to be built into the Roman era. There is a fine example, the Nilometer of Kom Ombo.
Kom Ombo Nilometer It is located to the west of the Ptolemaic temple of Sobek and Horus. It is a big cylindrical well, encircled by a spherical staircase (Fig 29) till the bottom of the well with an opening with a small path to the water of the Nile. Beside it there is also a small well to the north, this small well lead the water to a small three-sided staircase basin. The small well was used for purification, the water was token from the small well and stored in the basin.
Stepped Basins Staircases could also form a basin. Here at Kom Ombo just beside the Nilometer, we found a stepped basin was used for purification purposes. Purification basin of Kom Ombo Purification basins were used primarily during embalming rites and probably for purification purposes to allow people to purify[35]. Adjoining most of temples, there is a purification basin which contains the needed water for purification for rituals. Some of them include flights of stairs[36]. Prominently, the best example of them is the purification basin of Kom Ombo temple. The basin has three-sided steps each side consists of five steps built by laid blocks technique, the fourth side is a short wall higher than the upper step. One might guess that this basin was used to raise the eggs and small crocodile to choose the crocodile which would represent the deity crocodile but this opinion lacks a significant historical strong background. The basin was used to store water token from the nearside small well which also took water from the Nilometer. Dendara Gate Basins It was only roman times that the fountains were built in front of the door; these fountains supplied water to the villagers and allowed to be purified before entering the divine domain. the small basins placed between the fountains and the gate were used also for this purpose. Those small basins are very similar to Kom Ombo purification basins; they took stairs down with laid blocks technique made out of sandstone. The water suppliers by pipes drained into reservoirs located behind and above the niches mouths fitted with taps opened on a rectangular tub in line with these mouths wear marks made by the containers that the villagers held standing on a basement sidewalk.
Conclusion Staircases held great importance in the ancient Egyptian life from the dynastic period till the graeco roman period. Due to the numerous vocabularies of the staircases we could abstract that there were a lot of types and specifications for each of those vocabularies. Most of those terms refer to the staircase in general but those could also hold another meaning directly and indirectly way. The term could also associate with deity or to resemble a particular form. It worth to refer to the numerous types and form of those staircases that the Egyptian architecture showed in the graeco roman period would let to give a typology for them on the basis of geometrical layout designs, materials, locations and techniques. Furthermore, staircases held a great importance also in the architecture of building; therefor they integrated with most of the other architectural elements of the construction. As we could mention especially in the Graeco-Roman period when the staircases become a result for the high podium of the temple or to give access to the entrance. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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