The conceptual dimension and seeing nature in postmodern arts preparation | ||||
| International Journal of Multidisciplinary Studies in Art and Technology | ||||
| Volume 3, Issue 1, June 2020, Page 6-9 PDF (318.23 K) | ||||
| Document Type: Original Article | ||||
| DOI: 10.21608/ijmsat.2020.179937 | ||||
 View on SCiNiTO | ||||
| Author | ||||
| Sabah Mustafa Naim Muhammad | ||||
| Department of Painting and Photography, College of Art Education, Helwan University, Egypt | ||||
| Abstract | ||||
| The landscape is one of the topics closely related to the art of drawing and photography throughout the various stages of history. Many artists have excelled in treating its elements such as the sky, mountains, trees, plants, seas and clouds. Nature, with its elements of trees and plants, are miniature worlds of human interests, and a symbol of creativity and magic. They always symbolize life and are similar in relation to birth and death. With the beginning of the nineteenth century and the emergence of technological progress, landscape painting had a real presence, and it was able to develop and adapt to most artistic trends and schools of impressionism, expressionism, experimentalism, surrealism ... etc. | ||||
| Keywords | ||||
| The Conceptual Dimension; Seeing Nature; Postmodern; Arts Preparation | ||||
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