The contemplative verb in contemporary sculptural work "An analytical study" | ||||
| International Journal of Multidisciplinary Studies in Art and Technology | ||||
| Volume 3, Issue 1, June 2020, Page 10-14 PDF (388.49 K) | ||||
| Document Type: Original Article | ||||
| DOI: 10.21608/ijmsat.2020.179939 | ||||
 View on SCiNiTO | ||||
| Author | ||||
| Abazar Emad Muhammad Sadaq AL-BAGHDADI | ||||
| Department of Fine Arts, College of Fine Arts, Baghdad University, Iraq | ||||
| Abstract | ||||
| It is not secret to the specialist in the artistic composition that the sculptor performed a reactive interactive system that takes its aesthetic forms from its surroundings. It sometimes adds and sometimes draws from it according to cognitive references. The imaginary meditation is one of its most prominent forms. The artist is not far from his surroundings, he is the first inspiration for his creations. In the course of history, the formation of modernity and beyond, in which there is a difference in aesthetic and intellectual visions, has been reflected in a clear level of performances for various forms. The first chapter of the research includes the methodological framework of the research problem, its importance, the need for it, the purpose of research and its limits, and then defining and defining the terms used in the research. The second chapter is a representative of the theoretical framework in its two sections. The first comes to know about (the contemplative act between thought and science). The second is the Tamilah in art. The third chapter is a representative of the research procedures, the research community, its sample and tools, and then the analysis of the samples. | ||||
| Keywords | ||||
| The Contemplative Verb; Contemporary; Sculptural Work; Analytical | ||||
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