FASHION IS A CENTRAL TOOL TO BRING OUT THE DRAMATIC CHARACTER OF BRIDES | ||||
| International Journal of Design and Fashion Studies | ||||
| Volume 1, Issue 2, December 2018, Page 14-19 PDF (297.59 K) | ||||
| Document Type: Original Article | ||||
| DOI: 10.21608/ijdfs.2018.180010 | ||||
 View on SCiNiTO | ||||
| Author | ||||
| Mirrahan Faraj ORABI | ||||
| Department of Garment and Textile, Faculty of Home Economics, Helwan University, Egypt | ||||
| Abstract | ||||
| Puppet art is one of the oldest arts in the world, and it precedes the art of representation, human personification, and many other arts. Although the beginning of the use of brides in acting and personalization has not been settled historically, it is likely that it began in India about four thousand years ago when representation or diagnosis was categorically prohibited, so brides were replaced by humans to diagnose and embody the various dramatic characters, so it was the brides. And it still occupies a great place in the world of performing arts such as acting, dancing and singing, to the point that it was the first inspiration for the art of dance. | ||||
| Keywords | ||||
| Fashion; Central; Tool; Dramatic; Character; Brides | ||||
|
Statistics Article View: 97 PDF Download: 155 |
||||
