POLY CHORDS AND USE IN SOLFEGE | ||||
| International Journal of Humanities and Language Research | ||||
| Volume 1, Issue 2, December 2018, Page 27-33 PDF (1.32 MB) | ||||
| Document Type: Original Article | ||||
| DOI: 10.21608/ijhlr.2018.180098 | ||||
 View on SCiNiTO | ||||
| Author | ||||
| Fatima Mahmoud AL-JARASHA | ||||
| Faculty of Music Education, Helwan University, Egypt | ||||
| Abstract | ||||
| The harmony is several tones that can be heard at the same time, which is either a triple of all kinds (k, p, g, n) in its basic position or with its different upheavals, and a quadruple with its five types, as Dalcruz struck it, all of these contortions are heard individually until the master’s stage, the doctoral stage comes the student listens To pluralism. | ||||
| Keywords | ||||
| Poly Chords; Solfege; Music; Education | ||||
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