THE ELOQUENCE OF THE PHOTOGRAPHIC IMAGE IN THE DESIGNS OF POSTERS OF HUMANITARIAN ORGANIZATIONS (POSTERS OF DISPLACED IRAQIS AS A MODEL) | ||||
| International Journal of Humanities and Language Research | ||||
| Volume 2, Issue 2, December 2019, Page 26-32 PDF (366.01 K) | ||||
| Document Type: Original Article | ||||
| DOI: 10.21608/ijhlr.2019.180112 | ||||
 View on SCiNiTO | ||||
| Author | ||||
| Lina Emad FATHY | ||||
| College of Fine Arts, University of Baghdad, Iraq | ||||
| Abstract | ||||
| The true photographic image is conveyed through a brief image and summarizes measurements, volumes and events, and the print designer employs it through pictorial angles of vision that intensify the dialogue and convey it eloquently and simulate it at times and metaphor at times. The image in the typographic design has intentionality that stems from the ideological references of the designer, making the photographic image the signifier and the signified and the relationships that bind them together, the current research includes two chapters, the first chapter is the research problem and the need for it, and the importance of the current research is in the exit of the photographic image from being less realistic to its subjection The duality of assignment and inclusion, the duality of substitution and composition, the duality of signifier and the signified, the duality of simultaneity and succession, as well as the use of the image in a very important topic, namely the human posters related to forced displacement. | ||||
| Keywords | ||||
| The Eloquence; The Photographic; Image; Designs; Posters; Humanitarian Organizations | ||||
|
Statistics Article View: 99 PDF Download: 113 |
||||
