MODERN METHODS OF PIANO PERFORMANCE IN KLOSTER DRIAN'S COMPOSITIONS | ||||
| International Journal of Education and Learning Research | ||||
| Volume 1, Issue 2, December 2018, Page 1-3 PDF (276.47 K) | ||||
| Document Type: Research Papers | ||||
| DOI: 10.21608/ijelr.2018.180387 | ||||
 View on SCiNiTO | ||||
| Author | ||||
| Hala Marouf AMER | ||||
| Department of Music Education, Faculty of Specific Education, Tanta University, Egypt | ||||
| Abstract | ||||
| The twentieth century witnessed a great diversity in the styles and elements of musical composition in a way not seen in an era before, as a large number of composers discovered new sources of musical sounds, whose pioneers differed in thought, philosophy and creativity between returning to the old and the desire to reach everything new, and their trends contradicted. Between strict restrictions and absolute freedom, between the elements of art and the noise of nature, and between the interference of the human sense and the dominance of electronics. | ||||
| Keywords | ||||
| Modern; Methods; Piano; Performance; Kloster Drian's Compositions | ||||
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