The Legend of Tarzan an experimental vision on the location and mode of presentation | ||||
| International Journal of Multidisciplinary Studies in Art and Technology | ||||
| Volume 4, Issue 1, June 2021, Page 70-96 PDF (5.97 MB) | ||||
| Document Type: Original Article | ||||
| DOI: 10.21608/ijmsat.2021.186780 | ||||
 View on SCiNiTO | ||||
| Author | ||||
| Aya Mohamed Kamal ElDean Amean | ||||
| Lecture -Faculty of fine arts at Alexandria University | ||||
| Abstract | ||||
| The theatrical environment is represented in a set of methods in which the performance is not limited to the events of the linear narration for this presentation only, but depends on the collection of images designed to show the emotional responses from the audience, and any element of the scenography must subject the viewer to a sensory or emotional influence, and then it was necessary Preparing theatrical scenes for this performance in areas of unusual proportions that include the exploitation of modern technological developments and means to achieve the final theatrical scene in which the lines between the event and the scenes disappear in order to ensure continuous interaction (instead of the presence of a negative audience) to form environments that represent society on a large scale. As The context in which the individual moves. The design is based on exploiting the inherent capabilities of the human body with the chosen spatial environment (which in turn created a dynamic environment) as a tool to build a reciprocal relationship with the audience by translating spatial and kinetic interactions and audio and visual media to form an engineering matrix to build infinite spatial possibilities through diversity, The vertical and horizontal movement is seemingly endless to achieve an environment that continues to involve the audience in the theatrical events. | ||||
| Keywords | ||||
| Theatrical; LEGEND OF TARZAN; MODE OF PRESENTATION | ||||
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