Visual identity in costume design of the cinematic Queen's character | ||||
| International Journal of Design and Fashion Studies | ||||
| Volume 4, Issue 1, June 2021, Page 228-244 PDF (1.8 MB) | ||||
| Document Type: Original Article | ||||
| DOI: 10.21608/ijdfs.2021.187015 | ||||
 View on SCiNiTO | ||||
| Author | ||||
| Marwa Muhammad Salih Odeh | ||||
| Mansoura University | ||||
| Abstract | ||||
| The research revolves around the role of the costume designer for cinematic films in achieving visual illusion in the design of costumes for the characters that play A major role in a film that takes place in the distant or near future, by designing a visual identity that serves as a historical reference To limit the previous civilizations of a people, and to find a balance between the design mechanism represented in the structural lines of the costume and the Technical work requirements, where the research talks about the designer's ability to technically and technically treat the surface of the material in an innovative way The perceptual characteristics of the material are among the important and influential features in the degree of compatibility of the elements of the artwork, especially when they are in agreement with The content and idea of the work. The research reviews the fashion design of three royal characters in three different styles of films presented, the sample of the research, the personal The first is the character of the Queen Mother of Canada from the movie Panther Black, which won the Oscar for Best Fashion design and how to treat the African identity of the Queen's costume and the reflection of the design on the future civilization of this African country Which has the best advanced technology in the world. The second character is Queen (Padem) in the costume of the Kingdom of the Elders from the movie Star Wars, which is inspired by the costumes of the Queen, his wife (Genghis). Khan (the Emperor of the Mughals, and in which the research reviews how to draw inspiration from the historical identity of the Mughal civilization in designing a royal costume in outer space in the distant future. The third character is Queen Ravenna from the movie Snow White and the Hunter, and the extent to which the psychological state of the character is reflected on the design The costume as well as the design process and the surface treatment of the costume in an innovative and unconventional way, in which the designer expresses his complex queen psychology. and fragile. | ||||
| Keywords | ||||
| Costume design; historical costume; movie costumes; visual identity | ||||
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