Egyptian art and identity between heritage and contemporary An analytical study of the models of the ancient Egyptian visual and creative arts Through the plastic elements of animation | ||||
| International Journal of Multidisciplinary Studies in Heritage Research | ||||
| Volume 4, Issue 1, June 2021, Page 116-140 PDF (644.6 K) | ||||
| Document Type: Original Article | ||||
| DOI: 10.21608/ijmshr.2021.187688 | ||||
 View on SCiNiTO | ||||
| Author | ||||
| Samar Mohammed Abbas | ||||
| Teaching assistant, Graphic Department, Faculty of Fine Arts, Luxor, South Valley University | ||||
| Abstract | ||||
| During this research, the researcher deals with some artistic references related to the concept of movement by studying the elements of composition, plastic elements, and aesthetic foundations in the art of animation and its relationship to the ancient Egyptian arts. To reach the development of visual and creative elements in the ancient Egyptian arts, which were influenced by animated films, making them a synthetic creative work. There is no doubt that the art of animation, with its various technical and technical methods, is an attractive element for the viewer, with its values and principles, in an interesting and innovative form, as it jumps with graceful steps between reality and fantasy, and then brings the imagination to the ground illusion of its credibility, as it penetrates into various intellectual and artistic depths to highlight What is in it in pictures is captivating, interesting, easy to understand, strong in impact, rich in its aesthetics. | ||||
| Keywords | ||||
| Egyptian art; Identity; Heritage; contemporary | ||||
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