تقنيات ترميم صينية نحاسية أثرية بمتحف الفن الإسلامي بالقاهرة | ||||
| مجلة التراث والتصميم | ||||
| Article 17, Volume 1, Issue 6, December 2021, Page 347-357 PDF (1.45 MB) | ||||
| Document Type: أبحاث علمية محکمة | ||||
| DOI: 10.21608/jsos.2021.87584.1038 | ||||
 View on SCiNiTO | ||||
| Authors | ||||
جيهان عادل  1; مني السيد معوض2; وائل عبد الحميد عيد علي3
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| 1مدرس بقسم ترميم الاثار کلية الاثار جامعة الاقصر | ||||
| 2رئيس قسم ترميم الزجاج والخزف ، متحف الفن الإسلامي بالقاهرة ، وزارة الآثار والسياحة. | ||||
| 3فني ترميم بالمتحف القومي للحضارة المصرية | ||||
| Abstract | ||||
| A copper tray dating back to the Mamluk era, kept in the stores of the Museum of Islamic Art in Cairo, registered under No. 9315. It was broken into six separate parts with several holes. Its edge is serrated by a line in the prominent Naskh script. The tray suffers from various deterioration factors, such as pits and holes in different places of the tray, and the wrong restoration, as it was welded incorrectly with the aim of assembling some of its separate parts. Various examinations and analyses were carried out. The results of the X-ray diffraction analysis showed the presence of Cuprite (Cu2O), Atacamite and Paratacamite. Treatment and conservation of the tray was carried out, including mechanical cleaning and chemical cleaning. The assembly process was carried out for the separate parts. The holes were completed using mixture of epoxy with natural oxides and calcium carbonate with microballoon as a filler. The tray was also isolated using 3% benzotriazole to protect it from exposure to corrosion. | ||||
| Keywords | ||||
| صيانة; صدأ; صينية نحاسية أثرية; تلف; متحف الفن الإسلامي بالقاهرة | ||||
| References | ||||
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