أسئلة النقد حول الشعر السبعيني الدراسة النقدية " الشعر الجزائري الحديث اتجاهاته وخصائصه الفنية" (1925- 1975) ل: محمد ناصر - أنموذجا | ||||
| سياقات اللغة والدراسات البينية | ||||
| Volume 2, Issue 3, August 2017, Page 37-50 PDF (1.08 MB) | ||||
| Document Type: المقالة الأصلية | ||||
| DOI: 10.21608/siaqat.2016.200801 | ||||
 View on SCiNiTO | ||||
| Author | ||||
| سناء بوختاش | ||||
| باحثة دكتوراة، قسم اللغة العربية وآدابها مخبر تحليل الخطاب، جامعة تيزي وزو، الجزائر | ||||
| Abstract | ||||
| Within the seventies, the creative and critical experience in Algeria saw several changes related to social and historical conditions revealing that time; where the creators found themselves in front of oriental knowledge which forced them to engage in it conxiously and go beyond imitating the ancient writers writing model. They established an Algerian Arabian literary renaissance on this basis, many Algerian cretics appeared and they were influenced by middle eastcretics. They tried to release out creativeness from its narrow circle and MouhamedNacer was one of them. He wrote a book under the title »Modern Algerian poetry; its trends and its artistic features (1925 - 1975)« . In his book, he followed an artistical method in studying poetic samples and what makes some artistic experiences different and special was the fact that they are so beautiful and artistic. So how did MouhamedNacer view the Algerian creativeness in the seventies? | ||||
| Keywords | ||||
| Algerian literature; The Seventh Stage; Seven hair; The Seven Hundred; Revolutionary position; Ideology; Political paragraphs; free poetry; Modernity; the new; look | ||||
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