بَلاغة الحكاية فى مسرحية "الفرافير" للكاتب "يوسف إدريس" -دراسة فنية نقدية- The Eloquence of the Story in the play Fraafir by: Youssef Idris Technical and Critical study | ||||
| سياقات اللغة والدراسات البينية | ||||
| Volume 4, Issue 1, April 2019, Page 323-362 PDF (819.22 K) | ||||
| Document Type: المقالة الأصلية | ||||
| DOI: 10.21608/siaqat.2019.201064 | ||||
 View on SCiNiTO | ||||
| Author | ||||
| Eman Fuad Barakat | ||||
| Associate Professor, Faculty of Arts, Damanhour University Egypt | ||||
| Abstract | ||||
| The writing of the dramatic text is written by Youssef Idris (1927 - 1991( to special techniques in artistic performance and intellectual vision based on trying to assimilate the issues of external reality and represent them in most of his creative works in a manner commensurate with his intellectual commitment to the social reality and his artistic vision, In the aesthetics of heritage, and away from tradition, provides the recipient a language able to understand and absorb all its external and internal dimensions. The following topics are followed: - The elements of the construction of the play in the play, the story of the novel, and the story within the novel, the play was based on the story of the writer first about his work and his beginnings, and purified E, and features of his criticism of reality, his vision coincided with a vision or a sense of humor, has embodied the presence of the writer in the play, the suffering that afflicts everyone. The name of the play, based on the overlap in the jurisprudence: any story of the novel and the story within the novel: the story of the author, and the image of the Farfour, and submission to him, and then the story within the play through Alfarfur. The elements of this structure are: The story which is represented in the following: 1. Personality. 2. Event and idea. 3- Spatiality. 4 - Dramatic plot. These elements embodied the "structure of the story and the story" within the play. Which presented a vision of aesthetic and intellectual depends on the participation of the public in the events of the play to create a situation of popular drama, and the positive transitional theater, in which the audience participates with representatives in full contact, with the story of Yusuf Idris, which relied on the story, Or the employment of art within another art, his ability to communicate intimately with the writer himself and with the audience and the actor, and then the recipient, hence lies the eloquence of the story in the play Fraafir. | ||||
| Keywords | ||||
| Eloquence of the story; Fraafir Play; Youssef Idris; Structure; Narrative | ||||
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