التجربة الروائية التفاعلية عند محمد سناجلة بين التخييل الرقمي والتفكيك النصي رواية "ظلال العاشق" أنموذجا" The interactive narrative experience of Muhammad Sanajleh Between digital imagination and script disassembly Novel "Zelal Al - Asheq" as a model | ||||
| سياقات اللغة والدراسات البينية | ||||
| Volume 4, Issue 2, August 2019, Page 164-175 PDF (610.47 K) | ||||
| Document Type: المقالة الأصلية | ||||
| DOI: 10.21608/siaqat.2019.201200 | ||||
 View on SCiNiTO | ||||
| Author | ||||
| نجوى منصوري | ||||
| أستاذة محاضرة أ - جامعة باتنة الجزائر | ||||
| Abstract | ||||
| This study attempts to follow a digital literary phenomenon, it is the novel of digital realism by <<Muhammad Sanajlah>> Where it represents the literary script that tried to open up to the realm of computer technology and virtual worlds, And looking for new levels of narrative writing through the act of deception related to the different script formation and the act of receiving the different interactive reader. This study aims to analyze this type of narrative writing through its transversal nature (linguistic and nonlinguistic), genres (literary and non-literary) and disciplines (technical and visual), which open up to the worlds of technology, mechanisms and electronic media, As well as its possible manifestations, which are Digital creativity and Dissociated narrative form, This study also tries to reach the possibility of the critic (narrative discourse analyst) to identify the specificity of this narrative writing by relying on the questions of textual theories in the narrative and theories of digital literature. | ||||
| Keywords | ||||
| An interactive novel; Digital creativity; Disassembly script | ||||
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