سيميائية التواصل غير المنطوق في غزل عمر بن أبي ربيعة The semiotics of incomprehensible communication In the spinning of Umar ibn Abi Rabia | ||||
| سياقات اللغة والدراسات البينية | ||||
| Volume 4, Issue 3, December 2019, Page 1-35 PDF (724.63 K) | ||||
| Document Type: المقالة الأصلية | ||||
| DOI: 10.21608/siaqat.2019.201206 | ||||
 View on SCiNiTO | ||||
| Author | ||||
| سالم عبد الرازق | ||||
| كلية التربية – جامعة الاسكندرية جمهورية مصر العربية | ||||
| Abstract | ||||
| Semiotics emerged as a new approach that means studying the formats of signs and symbols, discovering the icons contained in the text and the signs and their underlying units, and its concept expanded to include both spoken and non-spoken evidence to expand, in turn, the various means of communication. This research seeks to benefit from the achievements of semiotics and its rich data and employing it in the approach of spinning at Omar bin Abi Rabia, whose profound reading of his spinning reveals his hoarding with many elements of the unspoken communication and his ingenuity in taking these elements as means of communication with the woman. This research then turned to the semiotics of non-operative communication in the spinning of Umar ibn Abi Rabia and follows the semiotic signs of signaling, silence, and writing, starting from the technique on which he relied on the use of body language and manipulation of organs and wounds in achieving his goal of communicating with women free from strict social positions. | ||||
| Keywords | ||||
| Semiotics; non-operative communication; reference; silence; calligraphy. السيميائية، التواصل غير المنطوق ، الإشارة، الصمت، الخط | ||||
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