Performance style of F.Chopin cello sonata op 65 in (g) minor | ||||
| International Journal of Education and Learning Research | ||||
| Volume 4, Issue 2, December 2021, Page 106-127 PDF (1.92 MB) | ||||
| Document Type: Research Papers | ||||
| DOI: 10.21608/ijelr.2021.262068 | ||||
 View on SCiNiTO | ||||
| Author | ||||
| Angie Alfy Anwr | ||||
| Cello teacher, Faculty of Specific Education, South Valley University | ||||
| Abstract | ||||
| The cello instrument appeared within the group of stringed instruments that was called at that time the name of the Viol instrument. The size and industry, which resulted in the method of holding and playing it, and the development of performance techniques on it in a manner commensurate with the role required of it. There were many attempts by composers and instrumentalists in different European schools to develop playing techniques to perform some compositions such as concertos, sonatas and some free pieces that contain a lot of playing techniques that work On improving performance, such as Chopin's sonata for cello and piano op 65, which will be addressed by the researcher. The research includes the research problem, research objectives, research importance, research questions, research procedures, and search terms. The research is divided into two parts: Part one: Theoretical framework: -About the Romantic period. -About Chopin. The second part: the practical framework: -An analytical study of the techniques of the right and left hands with some suggestions to clarify how to perform. Then the research concluded with results, recommendations, Arabic and foreign references, and a summary of the research in Arabic and foreign languages | ||||
| Keywords | ||||
| Cello; Viol; Bass viol; Romantic period; Chopin | ||||
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