DOP’s Technical Plan to Produce the VFX Cinematic Image | ||||
| Journal of Design Sciences and Applied Arts | ||||
| Article 33, Volume 4, Issue 2, June 2023, Page 505-518 PDF (1.46 MB) | ||||
| Document Type: Original Article | ||||
| DOI: 10.21608/jdsaa.2023.167879.1230 | ||||
 View on SCiNiTO | ||||
| Author | ||||
Ahmed Elsaadany 
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| Faculty of Applied Arts - Helwan university | ||||
| Abstract | ||||
| The director of cinematography always seeks to reach the largest possible amount of elements that help him achieve his artistic and aesthetic vision, and increase the space for creativity and imagination in his cinematic image, whether in the shooting stage or the post-shoot stage, as when the cinema started with its traditional means, it was imperative for the director of photography to Implementing the scenes of tricks and visual effects in the cinematic film through primitive means that were appropriate to the content of the film, and in the form and style that were in line with the film technology at that time, and with the rapid and successive development of the film industry and its annexes of modern digital means, the creative and executive role of the director of photography in implementing These scenes, which were entirely his responsibility at the beginning of the film industry by film means, and here lies the research problem in monitoring the creative and executive role of the director of photography in implementing the trick scenes in the cinematic film through modern digital means in the various stages of film production in a way that reflects the methods and means that are available to him from During this new medium that became the ruler of the modern digital cinema industry | ||||
| Keywords | ||||
| CGDOP; Blue Screen; Green Screen; VFX; SFX | ||||
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