Aesthetic Values for Jewelry Arts | ||||
| International Journal of Education and Learning Research | ||||
| Volume 5, Issue 2, December 2022, Page 101-113 PDF (507.27 K) | ||||
| Document Type: Research Papers | ||||
| DOI: 10.21608/ijelr.2023.213425.1003 | ||||
 View on SCiNiTO | ||||
| Author | ||||
Shehta Hosny 
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| Dean of Faculty of Education and Early Childhood - Zagazig University | ||||
| Abstract | ||||
| This research includes illustrating the aesthetics of various metal commentaries and works, including the aesthetics of ancient Egyptian art, where ancient Egyptian art has arisen independently of other arts. Art grew up in an ancient mother, indebted to her nature and immortalized her beliefs with art. I bring to mind its way of understanding life and resurrection, the return of soul, reckoning and punishment, Good and evil and what works for the breath and gifts hearts in the way of drawing, they began to express their lives by painting on walls, especially the walls of temples and pillars filled with events, whether social or mundane. Thus, ancient Egyptian art distinguishes from the rest of the arts, especially metal works of ornaments, waistcoats, mascots and decoration tools. The research contributes to and sheds light on metal materials commonly used in ancient Egypt, including (gold - silver), and analyses and describes models of metal works used from elements of ancient Egyptian art. " Artistic jewelry is one of the names given to jewelry created by studio craftsmen. As the name suggests, artistic jewelry emphasizes creative expression and design, and features the use of a variety of materials, often common or of low economic value. In this sense, it constitutes a balance between the use of "precious materials" (such as gold, silver and precious stones) in traditional or beautiful jewelry, where the value of the object is linked to the value of the material from which it was made. Jewelry art is associated with studio crafts in other media such as glass, wood, plastic and mud. They share beliefs and values, education and training, production conditions, distribution networks and publicity with a wider field of craft studio. Jewelry Art also has links to fine art and design. While the history of artistic jewelry usually begins with modern jewelry in the United States in the 1940s, followed by artistic experiences of the 1950s German gold jewelry, a number of values and beliefs of interest to artistic jewelry can be found in arts and crafts. Late 19th century movement. Many regions, such as North America, Europe, Australia and parts of Asia, enjoy thriving art jewelry scenes, while others such as South America and Africa develop infrastructure for educational institutions, agent exhibitions, writers, collectors and museums that support art jewelry. Art historian Liesbeth den Besten identified six different terms for the naming of art jewelry, including contemporary art, studio, art, research, design and author, with the three most common being contemporary, studio and art. Value Kelly L'Ecuyer identified studio jewelry as a branch of the studio craft movement, adding that it does not refer to certain artistic patterns but rather to the circumstances in which the object is produced. According to its definition, "Jawahario Studio is independent artists who deal directly with the materials they choose directly to make unique or limited-production jewelry..... The studio jewelry is designed and designed for each piece (although assistants or trainees may help with technical tasks), and the work is created in a small private studio, not in a factory. "Art historian Monica Gaspar has explored the temporal meaning of the different names given to art jewelry over the past 40 years. It suggests that "avant-garde" jewelry places itself radically at the forefront of prevailing ideas; "Modern" or "modern" jewelry purports to reflect the spirit of the times in which it was manufactured; "Studio" jewelry confirms the artist's studio on the craft workshop; "New" jewelry assumes a naive attitude towards the past; "Contemporary" jewelry claims present and "here and now" in contrast to the immortal nature of traditional jewelry as an intergenerational legacy. Art historian "Maribel Conger" says that names given to art jewelry are important in order to distinguish between this type of jewelry and related objects and practices. The use of the term "conceptual" jewelry, in its words, is "an attempt to separate one through terminology from products of the commercial jewelry industry that reproduce clichés and are directed towards tastes of mass consumption on the one hand, and, on the other hand, individual designs and subjective aesthetics of pure crafts". | ||||
| Keywords | ||||
| Aesthetic; Jewelry Arts; Roman art | ||||
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