The Art of Matte Painting | ||||
| Journal of Textiles, Coloration and Polymer Science | ||||
| Volume 21, Issue 2, December 2024, Page 365-372 PDF (2.02 MB) | ||||
| Document Type: Original Article | ||||
| DOI: 10.21608/jtcps.2024.259018.1271 | ||||
 View on SCiNiTO | ||||
| Authors | ||||
Aya E. Elhag1; Rawan M. Romeh1; Dalia M. Elhawary1; Toqa M. Maghraby1; Ahmed G. Hassabo   2
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| 1Benha University, Faculty of Applied Arts, Advertising, Printing and Publishing Department, Benha, Egypt | ||||
| 2National Research Centre (NRC), Textile Research and Technology Institute (TRTI), Pre-treatment and Finishing of Cellulose based Textiles Department (PFCTD), El-Behouth St. (former El-Tahrir str.), Dokki, P.O. 12622, Giza, Egypt | ||||
| Abstract | ||||
| Matte painting is an adaptable and dynamic art medium that creates visually attractive and immersive settings by fusing digital technologies with conventional painting processes. The core of matte painting is examined in this abstract, along with its methods, uses, and aesthetic value. By demonstrating how these components add to the overall story and visual impact, it emphasizes the significance of composition and concept in matte painting. The abstract delves at the evolution of matte painting in light of technological breakthroughs, including the transition from conventional paint to digital approaches. It clarifies the relationship between paint and pixels, highlighting the benefits and drawbacks of each strategy. In addition, the abstract highlights how important matte painting is to the creation of compelling and convincing worlds in visual media like movies, video games, and ads. All things considered, this abstract captures the complex qualities of matte painting, honoring its creative skill, technical mastery, and capacity to immerse spectators in astonishing worlds of the imagination. | ||||
| Keywords | ||||
| Matte Painting; Visual Arts; Digital Media; Film Studies; Historical Evolution; Traditional Techniques; Digital Art | ||||
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