Toward the Design Structure of the Works of “Paul Delvaux” and “Abd Elhadi El Gazzar”; A Comparative Study | ||||
| International Design Journal | ||||
| Article 3, Volume 14, Issue 5 - Serial Number 63, September and October 2024, Page 45-67 | ||||
| Document Type: Original Article | ||||
| DOI: 10.21608/idj.2024.301789.1160 | ||||
 View on SCiNiTO | ||||
| Author | ||||
Mohamed Abdelsalam AbdelSadik Helal 
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| Faculty of Fine Arts- Alexandria University | ||||
| Abstract | ||||
| The following research reviews the history of two photographers who have taken the Sierra Leone trend in most of their technical stages: First: the Belgian "Paul Delvaux" 1897-1994, an artist influenced by the pioneer of the metaphysical "Giorgio de Chirico" (1888-1978), and Salvador Dalle "Salvador Dali" (1969) and "Serpent" (1904-1989) In the legal profession, his father's career. Second: The Egyptian "Abdel Hadi Al-Jazaar" (1925-1966) is an encyclopedic personality who was known by the artistic community as a poet, writer and archaeologist after switching from medicine to art study to present a distinctive Sierra Leonean imprint, inspired by the Egyptian heritage, the Egyptian atmosphere, the parents, the male rings and the spiritual preparation sessions, before the early dissolution of our world. Instead of dumping into the historical details of each other's lives, research will focus on the foremost common points of their experiences. An analytical study of the design relationships of six works of art can identify common features and find effects that link the intellectual and creative aspects of both artists and through which other fundamental dimensions can be revealed about the character of each artist. This analysis is a source of practical inspiration for creators, not only through historical or theoretical aspects. | ||||
| Keywords | ||||
| Surrealism; Metaphysics; Paul Delvaux; Abd El Hadi Al Gazzar | ||||
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