Unveiling Decline: Political Satire in David Hare's Plenty and Pravda | ||||
| International Journal of Advanced Humanities Research | ||||
| Volume 4, Issue 2, December 2024, Page 85-101 PDF (1.24 MB) | ||||
| Document Type: Original Article | ||||
| DOI: 10.21608/ijahr.2025.373341.1061 | ||||
 View on SCiNiTO | ||||
| Author | ||||
Ramadan Mohamed El-Sayed Al-Azzawi 
| ||||
| Lecturer of English Literature Faculty of Arts and Humanities Suez Canal University,Egypt | ||||
| Abstract | ||||
| David Hare’s political theatre reflects his profound sense of disillusionment, disappointment, and despair, which underpin his sharp satirical tone. In plays such as Plenty and Pravda, Hare critically examines postwar Britain’s social, moral, and political decline. His satire targets the fragility of British society, corruption within political institutions, and the inadequacies of both the press and opposition parties. While rejecting socialism as a viable solution, Hare refrains from aligning with any ideology, ensuring his work’s enduring relevance. Driven by a deep sense of patriotism, Hare exposes Britain’s increasing reliance on materialism, deception, and self-interest. He critiques capitalism for eroding family values and societal cohesion, symbolized through characters like Susan in Plenty and Andrew in Pravda. Hare’s portrayal of a Britain fixated on its past highlights the nation’s vulnerability to manipulation and oppression. Ultimately, his satire seeks to awaken public consciousness, urging individuals to recognize their flaws and advocate for meaningful reform. Hare’s work stands as a powerful call for the revival of British identity, moral integrity, and social responsibility. | ||||
| Keywords | ||||
| David Hare; Satire; Political Theatre; Plenty; Pravda | ||||
|
Statistics Article View: 42 PDF Download: 20 |
||||
