Literary Autobiography and Subject Formation: A Comparative Study of Mona Enamouri’s A Chat upon Thames and Elif Shafak’s Black Mil | ||||
| مجلة وادي النيل للدراسات والبحوث الإنسانية والاجتماعية والتربويه | ||||
| Article 8, Volume 25, 25 - الجزء الثالث, January 2020, Page 1-30 PDF (744.92 K) | ||||
| Document Type: المقالة الأصلية | ||||
| DOI: 10.21608/jwadi.2020.84950 | ||||
 View on SCiNiTO | ||||
| Author | ||||
| Ghada Mohamad Ali Alakhdar | ||||
| Lecturer of Cultural Studies Faculty of Languages MSA University | ||||
| Abstract | ||||
| The two novels, Mona Enamouri’s A Chat Upon Thames (2014) and Elif Shafak’s Black Milk (2007), are autobiographical writings that depict the process of self-representation revealing a postmodern feminist interest in subject formation. Enamouri, on one hand, reflects on the self between places and voices revealing a construction of awareness and self-definition in reaction to external experiences. Shafak, on the other, interweaves a number of questions on female body and identity within the contextual struggle of patriarchical society and intrinsic emotional-personality struggles. Pregnancy and post-partum depression are discussed in line with questions of what it means to have a family, construct a book and determine self-worth. Negotiating a range of feminist thematic preoccupations with voice, spaces, and body the two novels unravel the critical function of feminist autobiographies in constructing the self from “discordant” voices through a dynamic process of self-representation through creation. | ||||
| Keywords | ||||
| Mona Enamouri; Elif Shafak; Aesthetic Subject; feminist autobiography; post-modern subject; women studies; literary autobiography | ||||
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