Stop-Motion Photography Techniques
marey, H. (2020). Stop-Motion Photography Techniques. EKB Journal Management System, 1(2), 38-53. doi: 10.21608/jdsaa.2020.28471.1005
hisham ahmed marey. "Stop-Motion Photography Techniques". EKB Journal Management System, 1, 2, 2020, 38-53. doi: 10.21608/jdsaa.2020.28471.1005
marey, H. (2020). 'Stop-Motion Photography Techniques', EKB Journal Management System, 1(2), pp. 38-53. doi: 10.21608/jdsaa.2020.28471.1005
marey, H. Stop-Motion Photography Techniques. EKB Journal Management System, 2020; 1(2): 38-53. doi: 10.21608/jdsaa.2020.28471.1005

Stop-Motion Photography Techniques

Journal of Design Sciences and Applied Arts
Article 3, Volume 1, Issue 2, June 2020, Page 38-53  XML PDF (926.75 K)
Document Type: Original Article
DOI: 10.21608/jdsaa.2020.28471.1005
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Author
hisham ahmed marey email orcid
photography, cinema and television department- faculty of applied arts- helwan university- egypt
Abstract
Stop-motion is an animation technique in which an object is physically manipulated and photographed on a single frame of motion picture film so that it appears to move on its own. The object is moved in small increments between individually photographed frames, creating the illusion of movement when the series of frames is played as a fast sequence. With the advent of digital imaging technology, stop-motion can also be implemented using digital photographic cameras, and not only using traditional cinematographic cameras that allow photographing a frame by frame, which contributed a lot to the spread of this technique, and also facilitated the ability to control the final results of the speed of movement With computer software specialized in combining a set of stills into one video. There are difficulties facing maintaining the continuity of the event carried out with stop-motion because there is absolutely no event at all, as well as the difficulty of maintaining homogeneity between successive frames in terms of exposure, clarity, color and composition, in addition to the difficulty of showing the reality of movement and controlling its rhythm to an already static body. Therefore, in this research we will study all the techniques of stop-motion photography, whether those related to shooting, animating or transition between different shots, in order to find out how to achieve continuity, homogeneity and realism, in films implemented with stop-motion technique.
Keywords
Stop-Motion; Frame by Frame; Digital Photography; Animation; Illusion of Motion
References

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1. Barry J C Purves, Stop-motion Animation: Frame by Frame Film-making with Puppets and Models, Second edition, Bloomsbury, 2014. 2. Barry J C Purves, Stop motion: passion, process and performance, Elsevier Ltd., 2008. 3. Blain Brown, Cinematography: Theory and Practice: image making for cinematographers & directors, third edition, Routledge, 2016. 4. Hami Onur Bingöl, The Importance of Composition in the Context of Stop Motion Animation Aesthetics, International Journal of Social Science and Humanities Research, Vol. 5, Issue 1, pp: (227-235), January - March 2017. 5. James Ball, Robbie Carman, Matt Gottshalk, and Richard Harrington, From Still to Motion: A photographer’s guide to creating video with your DSLR, New Riders, 2010. 6. Karel Reisz and Gavin Millar, The Technique of Film Editing, Second edition, Elsevier, 2010. 7. Ken A. Priebe, The Advanced Art of Stop-Motion Animation, Course Technology, 2011. 8. Ken Dancyger, The Director’s Idea: The Path to Great Directing, Elsevier, 2006. 9. Tom Gasek, Frame-by-frame stop motion: the guide to non-traditional animation Techniques, Second edition, CRC Press, 2017. 10. Vincenzo Maselli, The Evolution of Stop-motion Animation Technique Through 120 Years of Technological Innovations, International Journal of Literature and Arts, Vol. 6, No. 3, pp. 54-62, 2018. 11. https://www.usa.canon.com/internet/portal/us/home/products/details/cameras/eos-dslr-andmirrorless-cameras/mirrorless/eos-rp

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