Social Satirical Power of Verbs in Paul Beatty's “The Sellout”: A Stylistic Analysis | ||||
| مجلة کلية الآداب .جامعة بورسعيد | ||||
| Article 18, Volume 15, Issue 15, January 2020, Page 32-62 PDF (589.52 K) | ||||
| Document Type: المقالة الأصلية | ||||
| DOI: 10.21608/jfpsu.2020.87355 | ||||
 View on SCiNiTO | ||||
| Author | ||||
| Helmy Mohamed Abdel Fatah* | ||||
| An English Senior Teacher, Port Said official Language School | ||||
| Abstract | ||||
| This study reveals a linguistic stylistic analysis for Paul Beatty’s novel The Sellout through using Leech’s linguistic checklist. The study embodies two chief goals; a linguistic goal that depends on applying Leech’s Linguistic checklist on the entire novel by utilizing its different categories and a literary aim that relies on exposing the issue of racial segregation in the American society between the Whites and the Blacks. The proficiency in a writing style that Beatty displays in his novel is embodied evidently via this study. | ||||
| Keywords | ||||
| Leech’s linguistic checklist; lexical categories; verbs; stylistics; social satire; racial segregation; racism; slavery; the Blacks and the Whites in America; Paul Beatty | ||||
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