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Volume & Issue:
Volume 1, Issue 1, 2019
1
“Immigrants are Stripping Europe of its Culture”: the Far Right narrative of Europe and Two Migrant Responses
Page
17-31
Roger Bromley
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438.55 K
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2
Caught in Circular Time: Spatiotemporal Narrative Concerns in Cloum McCann’s Let the Great World Spin
Page
32-47
Fadwa AbdelRahman
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444.76 K
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3
Who is Telling the Tale? A Narratological Reading of the Roles of the Narrators in Lemony Snicket’s A Series of Unfortunate Events and Qarun
Page
48-63
Heidi Bayoumy
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443.5 K
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4
Perceiving the Worlds of Caryl Churchill Top Girls and Fatḥīyah El ʻAssāl Without Masks in Relation to Dramatic and Cinematic Techniques
Page
64-86
Amani Wagih Abd Al-Halim
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506.3 K
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5
Narrative Temporality and the Power to Change in Kate Atkinson's Life after Life
Page
87-104
Nader Helmy
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453.21 K
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6
Frame Narrative Technique: Paralleled Heterotopias in Mohamed Rageh's
A Quarter Citizen
Page
105-120
Nermine Ahmed Ibrahim Gomaa
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425.41 K
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7
Engaging the Senses to Make Sense: Performing Autoethnography in Selected Poems by Two Poet/Educators
Page
121-138
Sylvia Fam
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453.2 K
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8
Shaun Tan's The Red Tree (2001): A Visual Reading of A Postmodern Picturebook
Page
139-160
Marwa Essam Eldin Fahmi
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1.07 MB
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9
Narrative Strategies in Femi Osofisan’s Once Upon Four Robbers and Salah Abdel-Sabur’s Ba’d an Yamut al-Malik
Page
161-179
Amal Ibrahim Kamel
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455.47 K
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10
Narrating Tarell Alvin McCraney's The Brother/ Sister Plays
Page
180-199
Ebtesam M. M. El Shokrofy
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486.43 K
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11
Scars of Trauma: Duality of Signification in Edwidge Danticat's The Dew Breaker (2004)
Page
200-215
Eman Mostafa Ahmed Atta
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441.78 K
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12
Roz Chast’s Can’t We Talk about Something More Pleasant (2014) and Kawthar Younis’s “A Present from the Past” (2016) as Multimodal Narratives of Old Age
Page
216-235
Fadwa Mahmoud Hassan Gad
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1.09 MB
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13
Postmodern Conceptualization of Focalization, Temporality and Spatiality as Three Narrative Aspects in Darren Greer's Just Beneath My Skin (2014)
Page
236-255
Nadia Hashish
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482.67 K
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14
An Examination of the Use and Production of Space in Brian Friel’s Translations (1980), Michel Tremblay’s Solemn Mass for a Full Moon in Summer (2009) and Emma Donoghue’s Room (2017)
Page
256-272
Rania Mohamed Rafik Khalil
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448.21 K
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15
Lexical Variation in Arabic Phraseological Units Calqued from English: An Explanatory Approach
Page
275-300
Ahmed Seddik Al-Wahy
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544.74 K
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16
Impoliteness, Mock-Impoliteness and Underpoliteness Strategies in Abla Fahita’s TV Show
Page
301-326
Heba Abdelraheim Ibrahim Alkady
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522.36 K
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17
Decoding the Undecoded: Sexist Ideology in Sherry Argov’s Why Men Love Bitches?
Page
327-343
Marwa Abd El Azim
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446.53 K
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18
Thought Presentation in Nicholas Sparks' The Guardian: A Stylistic Analysis
Page
344-356
Nahid Ali Mahmoud
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425.46 K
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19
A Sociolinguistic Study of Religious-Based Proverbs in Al-Bahah Province
Page
357-384
Naimah Ahmad Alghamdi
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543.03 K
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20
Semantic Framing of JIHAD in the Holy Qur’an and Selected Web Narratives: A Contrastive Discourse Analytic Study
Page
385-405
Nihal Nagi Sarhan
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738.36 K
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21
Toward an Intercultural Understanding between the Orient and the Occident: A Narrative Approach to Translating Jihād Concept into English
Page
409-428
Alsayed Ismail
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515.05 K
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22
Metanarrative Translating of Poetry: Striking the Balance between Meaning, Genre, and Language Musicality
Page
429-445
Muhammad F. Alghazi
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563.33 K
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23
Collaboration between Machine Translation and Human Translation for Higher Quality and More Production in Translation
Page
446-473
Nehad ElBeheri
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732.75 K
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