1 | THE REPETITIVE PHILOSOPHY OF ABSTRACTION IN NUBIAN FOLKLORE AND ITS ROLE IN ROOTING THE DESIGN IDENTITY | |
Page 1-5 | ||
Amani Hamdy Fahim SANAD | ||
2 | THE ROLE OF DESIGN IN MAXIMIZING THE BENEFIT OF THE OPTICAL ILLUSION ART IN THE FIELD OF INTERIOR DESIGN | |
Page 6-8 | ||
Dalia Fouad Mahmoud ATTIA | ||
3 | THE USE OF OPTICAL ILLUSIONS DESIGNS IN THE WORK OF TWILL TEXTURED STRUCTURES WITH COLOR SCHEMES AND IMPLEMENTATION SUITABLE FOR THE EGYPTIAN HERITAGE | |
Page 9-14 | ||
Tariq Ahmed Mahmoud Abdullah RASHID | ||
4 | TRADITIONAL INDUSTRIES TO CONFIRM THE IDENTITY OF THE SOURCE PRINT ONE-PIECE DESIGN FOR LADIES CLOTHING | |
Page 15-22 | ||
Nour Mohamed Ibrahim YASSIN | ||
5 | USE THE PARAMETRIC DESIGN TECHNIQUES AS A SOURCE OF CREATIVITY TO ACCESS DESIGN TREATMENTS FOR THE ARCHITECTURAL SPACES USING PRINTED TEXTILE HANGINGS | |
Page 23-26 | ||
Abeer Farouk IBRAHIM; Raed Rushdie YAQIM | ||
6 | The role of science fiction films in the animation arts | |
Page 27-45 | ||
Nermin Hamdy Abdel Harith Abdel Hamid | ||