EKB Journal Management System

1.

INDUSTRIAL INTERIOR ARCHITECTURE STYLE AS INTERIOR ARCHITECTURE INSPIRATION GUIDE

Pages 14-33
Heba-Tallah Hamdy

2.

ATTEMPTS TO INTEGRATE AI TECHNOLOGIES INTO INTERIOR ARCHITECTURE STUDENTS’ DESIGNS – APPLIED EXPERIENCE

Pages 34-52
Mahmoud Ahmed Ismail

3.

CONCEPT-DRIVEN APPROACHES TO MATERIALS SELECTION IN INTERIOR ARCHITECTURE

Pages 53-67
Nataly Nabil Rizk; Athar Hussein Mohamed

4.

THE EFFECT OF APPLYING THE MERGING BETWEEN PARAMETRIC AND BIOPHILIC DESIGN IN EXHIBITION SPACES

Pages 68-84
Reham Magdy Mostafa

5.

MECHANISMS FOR INSPIRATION FROM THE CULTURAL HERITAGE OF THE NEW VALLEY IN THE DESIGN OF UNIVERSITY RESIDENCE ROOM

Pages 85-101
Samah Nasser Nabil; Aleya Abdel-Hadi; Adnan Elhalwagy

6.

ABSTRACT IN (THE FANTASTIC SYMPHONIE) PERFORMANCE FOR WATER PUPPETRY THEATER AN (ANALYTICAL STUDY)

Pages 103-115
Mai Mohab; Taher Abdelazeem; Fakhry Mohamed Alazazzy

7.

PAINTING SCENERY BETWEEN THEATRE AND INTERIOR DESIGN

Pages 116-135
Mostafa Abdelhamiedd Romieh

8.

DIGITAL SCENOGRAPHY FOR "LAND OF PEACE" FILM FESTIVAL INSPIRED BY MUSEUM OF ISLAMIC ART’S COLLECTIONS IN EGYPT

Pages 136-150
Neveen Abdellatif Omar

9.

VISUAL STORYTELLING IN DIGITAL STORIES AND ITS IMPACT ON ENHANCING THE AESTHETIC USER EXPERIENCE

Pages 152-166
ِAmira Ahmed Kandil

10.

THE RECIPROCAL RELATIONSHIP BETWEEN ORIGAMI ART AND CONTEMPORARY GRAPHIC TECHNIQUES

Pages 167-183
Mohamed Eid Ahmed Ali Habib; Abeer Fathy Ahmed

11.

RENEWABLE VISIONS PROMOTING FASHION INDUSTRY IN CONTEMPORARY MURAL PAINTING

Pages 185-204
Rasha Ahmed Nabil

12.

THE ROLE OF THE PSYCHOLOGICAL CONNOTATION OF COLOR IN ACHIEVING THE PAINTER’S SELF VISION (ANALYTICAL STUDY OF SELECTED PAINTINGS)

Pages 205-215
Muhammad Mohsen Hamza

13.

NARRATIVE IN MURAL ART WORKS (APPLIED RESEARCH)

Pages 216-233
Yuossif Mohamed Mekkawy

14.

MYTH'S INFLUENCE ON SCULPTING MYTHICAL CREATURES IN ANCIENT CIVILIZATIONS AND ITS CONNECTION TO FICTIONAL CREATURES IN SCIENCE FICTION MOVIES

Pages 235-250
Hend Ahmed Hafez; Mohamed Abbas

15.

“THE THREE PERFECTIONS” IN CHINESE PAINTINGS

Pages 252-269
Dalia Ashraf Moustafa Sabry

16.

MY OWN VISION OF CREATIVITY IN THE ART OF PAINTING -THE NOWNESS- THE EMERGENCE OF THE IDEA AND ITS EVOLUTION

Pages 271-281
Mohsen Mostafa Hamza