Front Matter

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Humanities and Social Sciences in the Digital World

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Challenging Corruption and Sexism in John Maher and Maged Raafat’s El3osba: Between Comics and Facebook Literature

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English-Arabic Code-Switching of the Arabic Language Speakers in Instant Messaging: Motivations and Structure

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Facebook and the Neo-Nomads: A Study of the Work of the Egyptian Comic Artist Muhammad Wahba El-Shennawy and the Use of Comics in History-Telling

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Persuasion in T.V. Advertisements: A Multimodal Analysis of the Visual Tactics in the Official Commercial of Telecom’s Egypt Mobile Network ‘We’

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Loving Vincent: Challenging Genre Conventions in the Digital Age

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Multiple Rooms with Brought Down Walls: Aleppo’s ‘Holocaust’ and Democracy of/in the American Century

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Freeing Verse: Memories of War in the Three Cin(E)-Poems “Frozen, Blistered Hand,” “The Big Push” and “The Dice Player”

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The Postmodern Punk Show: The Simulacral Paradigm in the Cyberpunk Narrative of William Gibson’s Neuromancer

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Representation of Ethnic Heritage in Cyberspace: Digital Archives and Community Participation

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Constructing Reality and Identity in Selected Young Adult Cyberpunk Novels

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Create, Campaign, and Click: A Genre Analysis of the Interactive Features Used in Hashtag Campaigns on Twitter

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A Systemic Functional Grammar Analysis of English SMS Advertisements in Egypt

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Facebook Prod-User Culture: A Study of the Emerging Configurations of Form and Content, Time, the Body and the Real in Contemporary Social Media

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Teresa Pepe, Blogging from Egypt: Digital Literature, 2005-2016

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