Methods of employing digital Images into 3D TV Production | ||||
| International Design Journal | ||||
| Article 17, Volume 6, Issue 1 - Serial Number 17, January 2016, Page 177-186 PDF (1.52 MB) | ||||
| Document Type: Original Article | ||||
| DOI: 10.12816/0036439 | ||||
 View on SCiNiTO | ||||
| Author | ||||
| Sherif Attia Mohamed Badran | ||||
| PhD in applied arts, photography, cinema and television, Helwan University, Cairo Assistant Professor at the Faculty of Information and Communication, Imam Muhammad bin Saud Islamic University in Riyadh, badran_sherif_2510@yahoo.com | ||||
| Abstract | ||||
| The research problem lies in the fact that the nature of three-dimensional television production depends on three sources of image production, and the process of producing the three-dimensional image directly during filming has many negative aspects economically, productively and technically, and what the three-dimensional satellite TV channels demand from showing a tremendous amount of 3D works Realistic presentation and able to attract the recipient of these channels, many designers and image production in those channels are converting the two-dimensional digital images (photographs, films and videos) to the three-dimensional image, so the legalization of the methods of forming a three-dimensional vision from Digital images is a very important matter that those who are designing and producing three-dimensional television works seek, and therefore the study aims to identify methods of employing digital images in three-dimensional television production according to the technical and technological standards of the three-dimensional display, and in order to achieve this, the study adopted the introduction of a knowledge side Within the framework of the description and analysis method, the study also used the experimental method to do some experiments Applications on converting and employing two-dimensional digital images (photographs and video clips) into the three-dimensional image, and the importance of the study comes as the fact that three-dimensional television production has become a popular means of mass communication that attracts the recipient’s eyes through his ability to create a state of illusion with extreme realism, and the importance of the study increases by clarifying the methods That allows those in charge of the three-dimensional image design in satellite channels to convert thousands of 2-dimensional photo, television and cinematic works into three-dimensional displays, and the importance of the scarcity of Arab studies that establishes methods for employing two-dimensional digital images in 3D television is increasing. | ||||
| Keywords | ||||
| Visual Communication; Tv Production; Digital Images | ||||
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